Pauline Kael
Pauline Kael
Pauline Kaelwas an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Earlier in her career, her work appeared in City Lights, McCall's and The New Republic...
NationalityAmerican
ProfessionJournalist
Date of Birth19 June 1919
CountryUnited States of America
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I see little of more importance to the future of our country and of civilization than full recognition of the place of the artist. If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.
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In this country we encourage "creativity" among the mediocre, but real bursting creativity appalls us. We put it down as undisciplined, as somehow "too much.
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In this country we encourage ""creativity"" among the mediocre, but real bursting creativity appalls us. We put it down as undisciplined, as somehow ""too much.
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The movies have been so rank the last couple of years that when I see people lining up to buy tickets I sometimes think that the movies aren't drawing an audience - they're inheriting an audience. People just want to go to a movie. They're stung repeatedly, yet their desire for a good movie - for any movie - is so strong that all over the country they keep lining up.
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He [Bernardo Bertolucci] has the kind of talent that breaks one's heart: where can it go, what will happen to it? In this country we encourage 'creativity' among the mediocre, but real bursting creativity appalls us. We put it down as undisciplined, as somehow 'too much.' Well, Before the Revolution is too much and that is what is great about it. Art doesn't come in measured quantities: it's got to be too much or it's not enough.
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We will never know the extent of the damage movies are doing to us, but movie art, it appears, thrives on moral chaos. When the country is paralyzed, the popular culture may tell us why. After innocence, winners become losers. Movies are probably inuring us to corruption; the sellout is the hero-survivor for our times.
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In a foreign country people don't expect you to be just like them, but in Los Angeles, which is infiltrating the world, they don't consider that you might be different because they don't recognize any values except their own. And soon there may not be any others.
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The words ""Kiss Kiss Bang Bang"" which I saw on an Italian movie poster, are perhaps the briefest statement imaginable of the basic appeal of movies
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The words ''Kiss Kiss Bang Bang,'' which I saw on an Italian movie poster, are perhaps the briefest statement imaginable of the basic appeal of movies. This appeal is what attracts us, and ultimately what makes us despair when we begin to understand how seldom movies are more than this.
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says Lopez. ''They're right near where I live; and they have such a great film program over there it seemed a perfect place for it.
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Brando represented a reaction against the postwar mania for security. As a protagonist, the Brando of the early 50's had no code, only his instincts. He was a development from the gangster and the outlaw.
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The critic is the only independent source of information. The rest is advertising.
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The unwary Brando was made to look public ass No. 1. It was now open season on Brando.
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Just about the best Hollywood musical of all time.