Paul Robeson

Paul Robeson
Paul Leroy Robesonwas an American bass singer and actor who became involved with the Civil Rights Movement. At Rutgers College, he was an outstanding American football player, and then had an international career in singing, with a distinctive, powerful, deep bass voice, as well as acting in theater and movies. He became politically involved in response to the Spanish Civil War, fascism, and social injustices. His advocacy of anti-imperialism, affiliation with communism, and criticism of the United States government caused...
NationalityAmerican
ProfessionStage Actor
Date of Birth9 April 1898
CityPrinceton, NJ
CountryUnited States of America
The patter of their feet as they walk through Jim Crow barriers to attend school is the thunder of the marching men of Joshua, and the world rocks beneath their tread.
With Othello, Shakespeare posed this problem of a black man in a white society in the role that he's playing. And Shakespeare gave Othello such dignity - he came not from - as he said - not from hate but from honor, from a sense of his own human dignity. And to me, to my mind, there could be no greater character played.
The man who accepts Western values absolutely, finds his creative faculties becoming so warped and stunted that he is almost completely dependent on external satisfactions, and the moment he becomes frustrated in his search for these, he begins to develop neurotic symptoms, to feel that life is not worth living, and, in chronic cases, to take his own life.
Through my singing and acting and speaking, I want to make freedom ring. Maybe I can touch people's hearts better than I can their minds, with the common struggle of the common man.
Every artist, every scientist, must decide now where he stands. He has no alternative. There is no standing above the conflict on Olympian heights. There are no impartial observers. Through the destruction, in certain countries, of the greatest of man's literary heritage, through the propagation of false ideas of racial and national superiority, the artist, the scientist, the writer is challenged. The struggle invades the formerly cloistered halls of our universities and other seats of learning. The battlefront is everywhere. There is no sheltered rear.
The talents of an artist, small or great, are God-given. They've nothing to do with the private person; they're nothing to be proud of. They're just a sacred trust... Having been given, I must give. Man shall not live by bread alone, and what the farmer does I must do. I must feed the people - with my songs.
The telling of these truths is an important part of our work in building a strong and broad peace movement in the United States.
And today the Negro people watch Africa and Asia and closely follow the liberation struggles of the rising peoples in these lands.
I've learned that my people are not the only ones oppressed.. . . I have sung my songs all over the world and everywhere found that some common bond makes the people of all lands take to Negro songs as their own.
At one point American peace sentiment helped to stop Truman from pursuing use of the atom bomb in Korea and helped force the recall of MacArthur.
For many years I have so labored and I can say modestly that my name is very much honored all over Africa, in my struggles for their independence.
Yes, I heard my people singing!--in the glow of parlor coal-stove and on summer porches sweet with lilac air, from choir loft and Sunday morning pews--and my soul was filled with their harmonies. Then, too, I heard these songs in the very sermons of my father, for in the Negro's speech there is much of the phrasing and rhythms of folk-song. The great, soaring gospels we love are merely sermons that are sung; and as we thrill to such gifted gospel singers as Mahalia Jackson, we hear the rhythmic eloquence of our preachers, so many of whom, like my father, are masters of poetic speech.
Four hundred million in India, and millions everywhere, have told you, precisely, that the colored people are not going to die for anybody: they are going to die for their independence.
The other reason that I am here today, again from the State Department and from the court record of the court of appeals, is that when I am abroad I speak out against the injustices against the Negro people of this land.