Paul Haggis
Paul Haggis
Paul Edward Haggisis a Canadian director, screenwriter, and producer. He is best known as screenwriter and producer for consecutive Best Picture Oscar winners, 2004's Million Dollar Baby and 2005's Crash, the latter of which he also directed...
NationalityCanadian
ProfessionScreenwriter
Date of Birth10 March 1953
CityLondon, Canada
CountryCanada
bad good life loved writer wrote
I made a very good living as a bad writer. I wrote a lot of comedies, 'Diff'rent Strokes,' 'Facts of Life,' while all my friends were doing the good shows, like 'Cheers,' but I loved it because I got to be a working writer in Hollywood.
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I have so many questions about love. How do you win at it? Especially if you're in a relationship with an impossible person? What if you believe in someone who's completely untrustworthy, who at their core can't even believe in themselves?
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For me, the most interesting people are ones who often work against their best interests. Bad choices. They go in directions where you go, 'No no no nooo!' You push away someone who is trying to love you, you hurt someone who's trying to get your trust, or you love someone you shouldn't.
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The worst thing you can do to a filmmaker is to walk out of his film and go, 'That was a nice movie.' But if you can cause people to walk out and then argue about the film on the sidewalk... I think we're all seeking dissension, and we love to affect an audience.
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'Crash' was incredibly personal to me. So was 'In the Valley of Elah.' There were things in 'The Next Three Days' that were questions I was asking myself but couldn't answer, like how far would you go for love? Can you believe in somebody who can't even believe in themselves? But this is highly personal.
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A lot of films made me love the movies, everything from Hitchcock to Godard. But the ones that really grabbed me were Costa-Gavras's films like 'Z' and 'State of Siege.'
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Every 10 years, I know less about love and relationships. The smarter I get, the less I know.
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I've lived in America for many years. I mean, I love being a Canadian, but I truly identify with America. I love America so much.
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I knew if we did it right it would get under people's skin, and they would react one way or the other. So it doesn't bother me when people say they hate it for this reason or that. It got to them, it made them look at something they would rather not have looked at, so the movie succeeded, at least for me.
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I'm really thrilled to be doing this. This is something Bobby and I have been passionate about doing for a while.
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You either get the movie or you don't, and if you don't get it, it's just the dumbest movie of all time. Some people are really challenged by it. It makes them incredibly uncomfortable, I think, and they come up with various reasons why that's not their fault.
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This all came from the time in the '70s when it actually snowed in Los Angeles. I figured, you know what? If it can snow in Los Angeles, anything is possible. Maybe there's actually hope for us.
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They're talking to three to four girls right now. Every week I read there's a new Bond girl, and I call them and they say, No, you idiot.
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As a filmmaker, it's a great thing to feel you've really affected them, one way or another. I'd much rather have that than have someone say, 'Nice film, man.' That's a stake through your heart.