Paul Gauguin
Paul Gauguin
Eugène Henri Paul Gauguinwas a French post-Impressionist artist. Underappreciated until after his death, Gauguin is now recognized for his experimental use of color and synthetist style that were distinctly different from Impressionism. His work was influential to the French avant-garde and many modern artists, such as Pablo Picasso and Henri Matisse. Gauguin's art became popular after his death, partially from the efforts of art dealer Ambroise Vollard, who organized exhibitions of his work late in his career, as well as...
NationalityFrench
ProfessionPainter
Date of Birth7 June 1848
CityParis, France
CountryFrance
Paul Gauguin quotes about
Oh yes! He loved yellow, did good Vincent...When the two of us were together in Arles, both of us insane, and constantly at war over beautiful colors, I adored red; where could I find a perfect vermilion?
Beautiful colors exist, though we do not realize it, and are glimpsed behind the veil that modesty has drawn over them.
Many people say that I don't know how to draw because I don't draw particular forms. When will they understand that execution, drawing and color (in other words, style) must be in harmony with the poem?
By the combination of lines and colors, under the pretext of some motif taken from nature, I create symphonies and harmonies that represent nothing absolutely real in the ordinary sense of the word but are intended to give rise to thoughts as music does.
Color which, like music, is a matter of vibrations, reaches what is most general and therefore most indefinable in nature: its inner power.
Color! What a deep and mysterious language, the language of dreams.
A compromise is the art of dividing a cake in such a way that everyone believes that he has got the biggest piece.
Do you know what will soon be the ultimate in truth? - photography, once it begins to reproduce colors, and that won't be long in coming. And yet you want an intelligent man to sweat for months so as to give the illusion he can do something as well as an ingenious little machine can!
Civilization is paralysis.
No one wants my painting because it is different from other people's peculiar, crazy public that demands the greatest possible degree of originality on the painter's part and yet won't accept him unless his work resembles that of the others!
A time will come when people will think I am a myth, or rather something the newspapers have made up.
In order to produce something new, you have to return to the original source, to the childhood of mankind.
I must confess that I too am a woman and that I am always prepared to applaud a woman who is more daring than I, and is equal to a man in fighting for freedom of behavior.
Today one can dare anything, and, furthermore, nobody is surprised.