Patrick Stump

Patrick Stump
Patrick Martin Stumph, known professionally as Patrick Vaughn Stump, is an American singer, songwriter, musician, record producer, actor and music critic, best known as the lead vocalist, guitarist, pianist and composer of Fall Out Boy, an American rock band from Wilmette, Illinois. Stump embarked on a solo career as a side project from Fall Out Boy during its hiatus...
NationalityAmerican
ProfessionRock Singer
Date of Birth27 April 1984
CityEvanston, IL
CountryUnited States of America
Yeah, I've been writing a bunch of new stuff, but it's all secret. In fact, I may or may not have been writing stuff this entire interview.
I don't think we care anymore about what we're gonna do. We're just gonna be our own band and we're not gonna pretend to be any more rock or any less whatever than we are. We're kinda hardcore kids, we're kinda a metal band in this weird way, we're kinda into soul, we're kinda into folk, we're kinda into a lot of stuff and we're just gonna do whatever we do.
I write really scathing, angry stuff when I'm in a better mood, and then uplifting and happy stuff when I'm at the absolute bottom.
When I eat something like vegetable bibimbap, I get that warm and fuzzy feeling of eating stuff that I grew up with.
I love playing our older songs along with newer ones but If all I have is my old stuff, I quit. Creating is more rewarding.
I started playing music when I was really young. I didn't start off on guitar because I couldn't fit my hands around the neck and fret board. So I did the drums. And back then, all I did was hit things.
First off, we came from hardcore bands, and, in a lot of ways, we still see ourselves as a hardcore band. That said, that's just how we play. I don't know how else to play when you're in a rock band. If you're in a rock band, that's how you're going to do it.
Written by the ancient Chinese philosopher of the same name, the 'Zhuangzi' is one long perplexing puzzle of a rambling collection of enigmatic short stories. It's a strange feeling to laugh at a joke written by someone in the 4th century B.C.
As far as criticism, I don't mind critics. I mean, I wrote for 'Rolling Stone' for a hot minute. I like criticism. I enjoy criticism. The thing I don't like is cruelty for cruelty's sake. You don't have to be a jerk to say something negative. You can say something in the negative sense and have class.
I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
Touring on 'Folie' was like being the last act at the vaudeville show: We were rotten vegetable targets in clandestine hoods.
(Wentz) just gives me lyrics and phrases and sentences and ideas that are just kind of disembodies from any song, ... I'm his word editor and he's my music editor.
Here's the thing about Kelly Clarkson. At the end of the day, she's an amazing singer, and you can't fault her for that.
I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.