Patrick Stump

Patrick Stump
Patrick Martin Stumph, known professionally as Patrick Vaughn Stump, is an American singer, songwriter, musician, record producer, actor and music critic, best known as the lead vocalist, guitarist, pianist and composer of Fall Out Boy, an American rock band from Wilmette, Illinois. Stump embarked on a solo career as a side project from Fall Out Boy during its hiatus...
NationalityAmerican
ProfessionRock Singer
Date of Birth27 April 1984
CityEvanston, IL
CountryUnited States of America
Advice? Focus on the craft. Study the greats. Try and understand how and why they made the writing choices they did. Then, start by copying them...just as an exercise. See if you can do similar things. Learn how to write a song like so and so. Then, when you've done that, write a song like yourself. Learn to color within the lines before going outside them.
I don't see the songs as uplifting, but rather as trying to make lemonade from lemons, or whatever. When I listen to them, I understand the context. I don't like to pepper songs with my own experiences, though.
I'm really attracted to music that sort of toes that line between pop and avant-garde, that pushes the envelope of what you can get in a pop song.
The song that's affected me the most profoundly is probably Michael Jackson's 'Thriller,' or, more specifically, the couple seconds of instrumental break before Vincent Price starts 'rapping.'
When you're No. 1 or No. 300, you still get to play and write the songs.
'As Long As I Know I'm Getting Paid' is a satire. Lyrically, I want to be direct. With my history in Fall Out Boy, there's some expectation that I'm going to be lyrically obtuse. But that song is a straight-faced satire of consumerism.
There are some bands for whom that works very well and it's no disrespect to them because I'm sure there's something honest and natural about it, but for us I feel like it would be dishonest and kinda disrespectful to that artwork to do that. To be like: "Okay, we're going to go back and only play these songs, even though we have an hour to an hour and a half set and we gotta play more songs, but we'll skimp you on your extra half hour." That's just silly to me.
I love playing our older songs along with newer ones but If all I have is my old stuff, I quit. Creating is more rewarding.
I started playing music when I was really young. I didn't start off on guitar because I couldn't fit my hands around the neck and fret board. So I did the drums. And back then, all I did was hit things.
First off, we came from hardcore bands, and, in a lot of ways, we still see ourselves as a hardcore band. That said, that's just how we play. I don't know how else to play when you're in a rock band. If you're in a rock band, that's how you're going to do it.
Written by the ancient Chinese philosopher of the same name, the 'Zhuangzi' is one long perplexing puzzle of a rambling collection of enigmatic short stories. It's a strange feeling to laugh at a joke written by someone in the 4th century B.C.
As far as criticism, I don't mind critics. I mean, I wrote for 'Rolling Stone' for a hot minute. I like criticism. I enjoy criticism. The thing I don't like is cruelty for cruelty's sake. You don't have to be a jerk to say something negative. You can say something in the negative sense and have class.
I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
Touring on 'Folie' was like being the last act at the vaudeville show: We were rotten vegetable targets in clandestine hoods.