Patrick Stump
Patrick Stump
Patrick Martin Stumph, known professionally as Patrick Vaughn Stump, is an American singer, songwriter, musician, record producer, actor and music critic, best known as the lead vocalist, guitarist, pianist and composer of Fall Out Boy, an American rock band from Wilmette, Illinois. Stump embarked on a solo career as a side project from Fall Out Boy during its hiatus...
NationalityAmerican
ProfessionRock Singer
Date of Birth27 April 1984
CityEvanston, IL
CountryUnited States of America
I very often think about doing things that I would want other artists to do. Like, if I'm a fan of whoever, I want to be treated a certain way. So I realized it came off almost elitist to ignore the whole world of Twitter and Facebook.
I don't want names, but you have to have bumped into some pretty nasty artists with pretty big chips on their shoulders. I'd like an anecdote about the most obnoxious personality you had the misfortune of working with, albeit as anonymously as you feel comfortable divulging.
There's a certain fear of simplicity. I think that's the thing, when you're younger as an artist, you get this idea in your head that complexity equals quality. The more notes you're playing, the better.
I'm really glad I put aside whatever ego I had and just let (Wentz) be free,
I moved to L.A. and really didn't dig living there until I found places like Koreatown and Little Tokyo. I really like hanging out in the grocery stores and restaurants.
I never really ate that bad, I just ate too much. It wasn't like I had to switch to whole wheat bread or something like that. I really just had to eat less of what I was eating, and I had to exercise more.
First off, we came from hardcore bands, and, in a lot of ways, we still see ourselves as a hardcore band. That said, that's just how we play. I don't know how else to play when you're in a rock band. If you're in a rock band, that's how you're going to do it.
We wanted out of it. It was the most negative thing in the world.
Written by the ancient Chinese philosopher of the same name, the 'Zhuangzi' is one long perplexing puzzle of a rambling collection of enigmatic short stories. It's a strange feeling to laugh at a joke written by someone in the 4th century B.C.
As far as criticism, I don't mind critics. I mean, I wrote for 'Rolling Stone' for a hot minute. I like criticism. I enjoy criticism. The thing I don't like is cruelty for cruelty's sake. You don't have to be a jerk to say something negative. You can say something in the negative sense and have class.
I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
Touring on 'Folie' was like being the last act at the vaudeville show: We were rotten vegetable targets in clandestine hoods.
I started playing music when I was really young. I didn't start off on guitar because I couldn't fit my hands around the neck and fret board. So I did the drums. And back then, all I did was hit things.
I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.