Patrick Rothfuss
Patrick Rothfuss
Patrick James Rothfussis an American writer of epic fantasy. He is best known for his projected three-volume series The Kingkiller Chronicle...
NationalityAmerican
ProfessionNovelist
Date of Birth6 June 1973
CityMadison, WI
CountryUnited States of America
appreciate couple english fantasy frost gorgeous harlem novels poets seem shakespeare
After I'd been in college for a couple years I'd read Shakespeare and Frost and Chaucer and the poets of the Harlem Renaissance. I'd come to appreciate how gorgeous the English language could be. But most fantasy novels didn't seem to make the effort.
cool dragon fantasy good realize sword
When you're 14, anything with a sword and a dragon is pretty cool. But when you're 21 and you've read 2,000 fantasy novels, you start to realize that some of those books, well, they weren't really good. OK, let's be honest. A lot of them were crap.
barbarian bother characters dwarf fantasy finishing full good high itself novel opposite time worth
I started a novel back in high school. It wasn't very good. It was the opposite of good. The writing itself wasn't too bad, and the characters were interesting. But the story was a mess, and it was full of fantasy cliches. Dwarf with an axe. Barbarian warrior. I don't ever think I'd bother finishing that. It's just not worth my time.
school fantasy-novels firsts
I was heavily influenced by my first attempt at a novel. I started a fantasy novel back in high school, and.... well... it really sucked. It was a plotless, clichéd mess.
running unique fantasy-novels
We have more brilliant fantasy novels than brilliant fantasy movies. Movies and TV are done by committee. But with a novel, it's really just one person running the show. That allows for a clarity and unity of vision that's pretty unique, artistically.
perfect fantasy-love and-love
But to love something despite. To know the flaws and love them too. This is rare and pure and perfect.
thinking answers fantasy-stories
It's the questions we can't answer that teach us the most. They teach us how to think.
boring dragons people suddenly throw time uses whatever work
The problem with dragons is that everyone uses them. All the time. When that happens, they become commonplace. A lot of people think you can just throw them into a story and suddenly whatever you're writing is 28% cooler. But that doesn't work. All that does is make dragons into some boring cliche.
ask authors few fun interviews last list questions since start
I've done a lot of interviews of the last few years, and I've actually started a list of questions that it would be fun to ask an author, but no respectable interviewer would ever ask. Since I'm not respectable, I'm going to start doing interviews with some authors I know, just for fun.
amount appeal becoming chance decided epic heavy mean people struggling time
I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
coming until
One thing I've learned now is that I should not say when a book is coming out until I'm sure I know.
profoundly zero
It's profoundly disorienting to go from zero to celebrity.
almost bit fan modern
I'm a fan of books that are almost languorous in their storytelling. That is a little bit lost sometimes in the modern media that we have.
almost encourage good jack myth order understand work writer
The myth of writer as, like, Asperger-style misanthrope, or, like, the Jack Nicholson, 'As Good As It Gets' - it just doesn't work, because writers, in order to write good characters, need to understand people. You need to understand your audience. You need to have so much empathy you could almost encourage empathy in others.