Patrick Ness

Patrick Ness
Patrick Nessis an American author, journalist and lecturer who moved to London at age of 28 and now holds dual citizenship. He is best known for his books for young adults, including the Chaos Walking trilogy and A Monster Calls...
NationalityAmerican
ProfessionYoung Adult Author
Date of Birth17 October 1971
CountryUnited States of America
finding lasted life tales truths
Folk tales and myths, they've lasted for a reason. We tell them over and over because we keep finding truths in them, and we keep finding life in them.
fighting men life-is
The only crime, the only crime is to take a life. There is nothing else.' 'And that's why you don't fight,'I say. She turns to me sharply. 'To preserve life is to fight everything that man stands for.
life hate needs
Do we hate paradise so much we need to make sure it becomes a trash heap?
fighting men life-is
To live is to fight, to preserve life is to fight everything that man stands for.
live-life cutting order
As long as I hold it as long as I use it, the knife lives, lives in order to take life, but it has to be commanded, it has to have me to tell it to kill, and it wants to, it wants to plunge and thrust and cut and stab and gouge, but I have to want it to as well, my will has to join with its will. I'm the one who allows it and I'm the one responsible.
life thinking long
Don't think you haven't lived long enough to have a story to tell.
life cutting hands
But a knife ain't just a thing, is it? It's a choice, it's something you do. A knife says yes or no, cut or not, die or don't. A knife takes a decision out of your hand and puts it in the world and it never goes back again.
running life-is finished
Life equals running and when we stop running maybe that's how we'll know life is finally finished.
life men filters
Without a filter, a man is just chaos walking.
allow anyone hugely inspiring
Limitations can be hugely creative and hugely inspiring - so long as they are the ones you choose for yourself. I will not allow anyone to take anything off my palette, but if I do, then within that, I can be creative.
either expectation sit sneak
If I sit down to write a young-adult novel, then I'm going to write either to the punch-pulling expectation of what I can't do, or I'm going to go the other way and think about what can I sneak in to be 'down with the kids' - which would be excruciating.
best helps hold onto stick
I'm a long distance runner, and I get my best ideas when I'm out running. It also helps that I can't write it down immediately - if you hold onto an idea, other things will stick on it.
avoid bring course describing people stuff
I try to avoid describing one interpretation of my books. Of course I have an opinion. I have things I want to say, but I don't ever want to limit anybody, to have them say, 'Oh, he said this, so that's what it's about.' I'm happy people bring their own stuff to it.
anywhere behind forcing information mobile phone somebody talking
I live in England, so I take a lot of trains, and you can't really go anywhere without somebody talking on their mobile phone behind you, forcing you to listen to their conversation. With the Internet, with texting, with networking sites, there's already information everywhere.