Patrick Ness
Patrick Ness
Patrick Nessis an American author, journalist and lecturer who moved to London at age of 28 and now holds dual citizenship. He is best known for his books for young adults, including the Chaos Walking trilogy and A Monster Calls...
NationalityAmerican
ProfessionYoung Adult Author
Date of Birth17 October 1971
CountryUnited States of America
war hands doe
This is what war does. Right here, in my hands. This is war.
life cutting hands
But a knife ain't just a thing, is it? It's a choice, it's something you do. A knife says yes or no, cut or not, die or don't. A knife takes a decision out of your hand and puts it in the world and it never goes back again.
knives hands saving
Everything that's happened has brought me here, to this place, with this knife in my hand, and something worth saving.
pain fall hands
And the pain is too much it's too much it's too much and my hands are on my head and I'm rearing back and my mouth is open in a never-ending wordless wail of all the blackness that's inside me. And i fall back into it.
hands say-anything want
I'll do it, Todd," I whisper. "I'll come with you." And he doesn't say anything, just squeezes my hand harder and brings it up to his face like he wants to breathe me in.
somebody written
The books I like to read the most feel like they've been written by somebody who had to write them or go crazy. They had to get them out of their heads. I like that kind of urgency.
fear follow further genre great interested liberation reader respect
Your reader is interested in a guileless, fresh, first-time-we-talked-about-it way. What a great liberation that is. And teenagers, if you respect them, will follow you a lot further than adults will, without fear of being a genre that they may not like or have been told not to like. They just want a story.
connect online readers solitary
Online is such a brilliant, brilliant way to connect with young readers - even if they just want to tweet, 'Hey, I read your book!' - that, absolutely, I connect with that. But I also treat writing as solitary and keep it to myself as long as I can.
boy complex drape framework great love plot stuff tend ya
Plot is a framework on which to drape other things. So once that's working, I can just let it go and do all the stuff that I love - 'Trojan horse' it. There are so many great YA heroines, and that's fantastic, but what about the emotionally complex boy out there? That's who I tend to write about.
bad fringe mostly writers
In some ways. I always feel between worlds, between cultures, and I think that's not necessarily a bad place for a writer to be. Writers are kind of on the fringe anyway, observing, writing things down. I'm still mostly American, but it's a nice tension.
badly great perform sing theory writer
If you sing beautifully about nothing, no one will listen. If you sing badly about great stuff, no one will listen. Ideas are everywhere, but my theory is that a writer doesn't just think of an idea: they perform them.
adjective allegiance mediocre setting
If you set out to write an adjective novel, you're setting out to write a mediocre novel; your allegiance is to the adjective, not to the story, and then that just sucks all the joy right out of it.
films mobile puts
If you're 15 and you tell someone a secret, they can put it up on Facebook. If you make a mistake, someone films it on their mobile and puts it up on YouTube. When you're 15, you deserve privacy.
buy people whenever
Whenever I have tried to write for other people, that's when my writing has failed, when nobody wanted to read it or buy it. But it's only when I've been able to write a story that makes me excited, only then have other people wanted to read it.