Paddy Considine
Paddy Considine
Patrick George "Paddy" Considineis an English actor, film director, screenwriter, and musician. He has played a number of dark, troubled, and morally or mentally ambiguous characters. Considine frequently collaborates with director Shane Meadows. He has starred in films such as A Room for Romeo Brass, In America, Dead Man's Shoes, Cinderella Man, Hot Fuzz, The Bourne Ultimatum, The Cry of the Owl, Blitz, The World's Endand Macbeth...
NationalityEnglish
ProfessionMovie Actor
Date of Birth5 September 1973
acting coach diagnosed experience good lots problems since slow techniques trying
Since being diagnosed with Asperger's, I'd been working with an acting coach who has now become a good friend. We'd been trying lots of improvisational techniques to help me with some of the problems I experience. But it's a very slow process.
easier people trying ways written
It's different being a director. I suppose, especially if it's a story you've written and you feel compelled to tell, in some ways it's a lot easier than acting because you're orchestrating the piece. As an actor, sometimes you're trying to second-guess what people want.
people trying acting
Its different being a director. I suppose, especially if its a story youve written and you feel compelled to tell, in some ways its a lot easier than acting because youre orchestrating the piece. As an actor, sometimes youre trying to second-guess what people want.
giving-up thinking trying
The thing is, if I try to talk about acting, I come off as moaning. But I'm privileged. I think it's all about control. Acting is vulnerable because you're not in control of anything. You have to give up a lot of your trust; it's up to somebody else what they do with what you've given them.
people trying answers
I'm trying to make sense of lot of things with 'Tyrannosaur.' I'm trying to make sense of people who've left now. They're not here, they can't answer for themselves any more, they're gone. And I'm trying to make peace with those ghosts.
bit felt fit realising trying
All of a sudden I'm an actor, and I spend a decade trying to fit in and realising that I didn't, really. Sometimes in the right circumstances, with the right people, it felt OK. But other times it was a bit more jobbing. I didn't fit the mould, somehow.
It was important that I got my own voice out there in the world. I'd used it on other people's films, collaborated, and I thought, 'You know, I can do this myself.' That was more important than anything else.
bills explore money paid wide
I'll admit, sometimes I've paid the bills with acting. You know the phrase, 'It's one for the money, two for the showreel.' I don't want that as a director. I don't want to compromise myself. There's a big old wide world out there. I want to explore it.
bit christian grow hard leave left life ought problems success suppose work
I suppose I just had this Christian idea about how I ought to go about my life. I thought, 'If I work really hard and have a bit of success, the problems I'd had all my life would leave me.' But, of course, not a bit of it left me because Asperger's is not something you just get over or grow out of.
establish knew movies pieces sort time voice worked
I worked with some directors, and it was really collaborative, and I was sort of writing with them. I was giving so many pieces of myself to their movies, I thought, 'It's about time I use my own voice for me, and establish my own voice.' So I knew I wanted to make films.
america directing films job opportunity privileged system
I think the older that I'm getting, the more I'm understand what a privileged job I have, and what an opportunity I have. Now I'm directing films and I'm getting my first movie in America off the ground, and you start to understand how the system really works.
cope giving great life stop stories stuff thoughts work
At the end of the day, my life isn't about other people's work. I've got to stop giving stuff away. I've got my own stories to tell, and a great need to tell them. I've got these images, these thoughts in my head, and I need to find a way to cope with them.
A lecturer once told me I could never be a director. I was 16. I believed him.
domestic people takes
I know victims of domestic abuse. I know what it takes for people to get out, and I also know why people stay. It's heartbreaking.