Paddy Considine

Paddy Considine
Patrick George "Paddy" Considineis an English actor, film director, screenwriter, and musician. He has played a number of dark, troubled, and morally or mentally ambiguous characters. Considine frequently collaborates with director Shane Meadows. He has starred in films such as A Room for Romeo Brass, In America, Dead Man's Shoes, Cinderella Man, Hot Fuzz, The Bourne Ultimatum, The Cry of the Owl, Blitz, The World's Endand Macbeth...
NationalityEnglish
ProfessionMovie Actor
Date of Birth5 September 1973
art thinking people
I think it's a shame when the arts have to suffer because of corporate greed. People will always strive to make film, and the only important thing is that we keep trying to make ourselves heard and keep making our films, no matter what the climate is.
art people soul
I could never sit down and say: I'm going to do an out-and-out comedy, just to prove to people I can. You've just got to do what you do. Just listen to your soul and do your art and do it for the right reasons, and then you can't fail.
art expression people
What's my dilemma here? Am I making entertainment or am I making art? What am I saying? At the end of the day, cinema is entertainment for millions of people, but for me it's expression.
It was important that I got my own voice out there in the world. I'd used it on other people's films, collaborated, and I thought, 'You know, I can do this myself.' That was more important than anything else.
bills explore money paid wide
I'll admit, sometimes I've paid the bills with acting. You know the phrase, 'It's one for the money, two for the showreel.' I don't want that as a director. I don't want to compromise myself. There's a big old wide world out there. I want to explore it.
bit christian grow hard leave left life ought problems success suppose work
I suppose I just had this Christian idea about how I ought to go about my life. I thought, 'If I work really hard and have a bit of success, the problems I'd had all my life would leave me.' But, of course, not a bit of it left me because Asperger's is not something you just get over or grow out of.
establish knew movies pieces sort time voice worked
I worked with some directors, and it was really collaborative, and I was sort of writing with them. I was giving so many pieces of myself to their movies, I thought, 'It's about time I use my own voice for me, and establish my own voice.' So I knew I wanted to make films.
america directing films job opportunity privileged system
I think the older that I'm getting, the more I'm understand what a privileged job I have, and what an opportunity I have. Now I'm directing films and I'm getting my first movie in America off the ground, and you start to understand how the system really works.
cope giving great life stop stories stuff thoughts work
At the end of the day, my life isn't about other people's work. I've got to stop giving stuff away. I've got my own stories to tell, and a great need to tell them. I've got these images, these thoughts in my head, and I need to find a way to cope with them.
A lecturer once told me I could never be a director. I was 16. I believed him.
domestic people takes
I know victims of domestic abuse. I know what it takes for people to get out, and I also know why people stay. It's heartbreaking.
acting coach diagnosed experience good lots problems since slow techniques trying
Since being diagnosed with Asperger's, I'd been working with an acting coach who has now become a good friend. We'd been trying lots of improvisational techniques to help me with some of the problems I experience. But it's a very slow process.
easier people trying ways written
It's different being a director. I suppose, especially if it's a story you've written and you feel compelled to tell, in some ways it's a lot easier than acting because you're orchestrating the piece. As an actor, sometimes you're trying to second-guess what people want.
The more I find out about the dynamic and how it works, the more I realize how lucky I am to have ever got anything. Like... there was no need to put me in 'Cinderella Man' - there was no need. Why? Just get an American actor - it would've been cheaper, probably.