Pablo Picasso

Pablo Picasso
Pablo Ruiz y Picasso, also known as Pablo Picasso, was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the greatest and most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are...
NationalitySpanish
ProfessionPainter
Date of Birth25 October 1881
CityMalaga, Spain
CountrySpain
I have never had time for the idea of searching. Whenever I wanted to express something, I did so without thinking of the past or the future.
What I have to do is utilize as best I can the ideas which objects suggest to me, connect, fuse, and color in my way the shadows they cast within me, illumine them from the inside. And since of necessity my vision is quite different from that of the next man, my painting will interpret things in an entirely different manner even though it makes use of the same elements.
If you give a meaning to certain things in my paintings it may be very true, but it is not my idea to give this meaning. What ideas and conclusions you have got I obtained too, but instinctively, unconsciously. I make the painting for the painting. I paint the objects for what they are.
It is the object which aroused the artist, stimulated his ideas and set of his emotions. These ideas and emotions will be imprisoned in his work for good.
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint.
To know what you’re going to draw, you have to begin drawing... When I find myself facing a blank page, that’s always going through my head. What I capture in spite of myself interests me more than my own ideas.
This idea of art for art's sake is a hoax.
You have to have an idea of what you are going to do, but it should be a vague idea.
I begin with an idea and then it becomes something else.
Different themes inevitably require different methods of expression. This does not imply either evolution or progress; it is a matter of following the idea one wants to express and the way in which one wants to express it.
What does it mean for a painter to paint in the manner of So-and-So or to actually imitate someone else? What's wrong with that? On the contrary, it's a good idea. You should constantly try to paint like someone else. But the thing is, you can't! You would like to. You try. But it turns out to be a botch... And it's at the very moment you make a botch of it that you're yourself.
What I capture in spite of myself interests me more than my own ideas.
It is important to remember that great things have no fear of time. We've got to let go of the idea that what we want to manifest has to be done on our time schedule.
I should like to live like a poor man, with a great deal of money