Oscar Wilde

Oscar Wilde
Oscar Fingal O'Flahertie Wills Wildewas an Irish playwright, novelist, essayist, and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, as well as the circumstances of his imprisonment and early death...
NationalityIrish
ProfessionNovelist
Date of Birth16 October 1854
CityDublin, Ireland
CountryIreland
One knows so well the popular idea of health. The English country gentleman galloping after a fox -- the unspeakable in full pursuit of the uneatable.
Flowers are as common in the country as people are in London.
Anybody can be good in the country. There are no temptations there.
I am not laughing, Dorian; at least I am not laughing at you. But you should not say the greatest romance of your life. You should say the first romance of your life. You will always be loved, and you will always be in love with love. A grande passion is the privilege of people who have nothing to do. That is the one use of the idle classes of a country. Don't be afraid. There are exquisite things in store for you. This is merely the beginning.
Why can't these American women stay in their own country? They are always telling us that it is the paradise for women. It is. That is the reason why, like Eve, they are so excessively anxious to get out of it.
I have invented an invaluable permanent invalid called Bunbury, in order that I may be able to go down into the country whenever I choose.
The English country gentleman galloping after the fox – the unspeakable in full pursuit of the uneatable.
The fact is, the public make use of the classics of a country as a means of checking the progress of Art. They degrade the classics into authorities. They use them as bludgeons for preventing the free expression of Beauty in new forms.
When one is in town one amuses oneself. When one is in the country one amuses other people. It is excessively boring.
There is no country in the world where machinery is so lovely as in America. It was not until I had seen the water-works at Chicago that I realised the wonders of machinery; the rise and fall of the steel rods, the symmetrical motion of the great wheels is the most beautiful rhythmic thing I have ever seen.
The crude commercialism of America, its materialising spirit, its indifference to the poetical side of things, and its lack of imagination and of high unattainable ideals, are entirely due to that country having adopted for its national hero a man who, according to his own confession, was incapable of telling a lie, and it is not too much to say that the story of George Washington and the cherry-tree has done more harm, and in a shorter space of time, than any other moral tale in the whole of literature.
An entirely new factor has appeared in the social development of the country, and this factor is the Irish-American, and his influence. To mature its powers, to concentrate its action, to learn the secret of its own strength and of England's weakness, the Celtic intellect has had to cross the Atlantic. At home it had but learned the pathetic weakness of nationality; in a strange land it realised what indomitable forces nationality possesses. What captivity was to the Jews, exile has been to the Irish: America and American influence have educated them.
There is no country in the world where machinery is so lovely as in America.
If a man needs an elaborate tombstone in order to remain in the memory of his country, it is clear that his living at all was an act of absolute superfluity.