Olivier Theyskens
Olivier Theyskens
Olivier Theyskensis a fashion designer who has worked with major design houses, including Rochas, Nina Ricci and Theory...
NationalityBelgian
ProfessionFashion Designer
Date of Birth4 January 1977
CountryBelgium
fashion thinking long
For a long time I have been thinking about affordable fashion - you can be disappointed when not so many people can wear your stuff.
fashion art thinking
I think the relationship is very tenuous between fashion and art. Many designers have built relationships with artists, which is not something I personally did. But it's true, sometimes you see artists working for a designer or a brand on some specific project or taking care of their environment and making an amazing store.
fashion art believe
Art is the way people see things, and I think it's great when individuals can find in fashion something they truly believe is artistic
creating creating-something fashionable
What is funny is when you do a futuristic movie, you immediately get to be fashionable because you're creating something that doesn't exist.
fashion house age
Even during the golden age of fashion, you had haute couture houses where the designers didn't have money.
fashion children clothes
I've admired historical clothes like Victorian gowns since I was a child, and it's what motivated me to go into fashion.
fashion stores knows
In fashion, we don't often know the prices. We don't have time to go into the stores.
love work
Everything I do, I do out of instinct. I love to show shapes. I like to work around the waist, the hips.
absolutely costume few historical image movies saw visited
When I was young, watching historical movies made me feel absolutely sublime. But the first few times I visited costume museums, I was really disappointed because it was not at the level I saw in movies. It was not the level of the image I'd imagined.
class clothes love super type wear
Today there are more things you can wear for the same occasions. I still like this idea of the perfect suit, and I always love tailoring, but today you can have more things for this type of situation, clothes that have class and that are mixable, and that are super well cut.
affected build connected contact direct observing physically
Personally, I am not so affected by my environment. What I build in the creative process is not necessarily connected to what I am physically in contact with. I am always observing everything, but it will not necessarily have a direct impact on what I do.
ease good somebody
Personality is so important - when you dress somebody for a big party, it is good to feel that the person has an ease and naturalness with what she is wearing.
allow considered cost great loved
My mother loved fashion and always had a great aesthetic. But she also considered the cost of it, with the kids, that it wasn't something to allow herself.
clothes dress time work
It's interesting for me because in my work, a lot of times, I like to scrutinize the clothes and think what's going to make them look dated, and I do the same with vintage. In vintage, you want something unique and different, but at the same time, something that doesn't make you look like you dress like a grandpa.