Nick Cave

Nick Cave
Nicholas Edward "Nick" Caveis an Australian musician, songwriter, author, screenwriter, composer and occasional film actor. He is best known as the frontman of Nick Cave and the Bad Seeds, established in 1983, a group known for its diverse output and ever-evolving line-up. Prior to this, he fronted the Birthday Party, one of the most extreme and confrontational post-punk bands of the early 1980s. In 2006, he formed the garage rock band Grinderman, releasing its debut album the following year...
NationalityAustralian
ProfessionRock Singer
Date of Birth22 September 1957
CountryAustralia
The body becomes the carrier for the work. It's not really about the physical body; it really becomes the apparatus that carries and moves the work. I don't really consider the body as much; I look at it as a tool.
And she moves among the sparrows. And she floats upon the breeze. She moves among the flowers. She moves something deep inside of me
Moving to the country is a very bold thing to do. You can have vague romantic notions about doing that, but in actuality, it can be a terrifying thing.
be mindful of the prayers you send pray hard but pray with care for the tears you are crying now are just your answered prayers letters of light we scale merrily, move mysteriously around so that when you think you're climbing up, man, in fact you're climbing down
Sound doesn't always have to be heard. Sound can also be created by how a pattern is set up on a surface- how it moves across the surface, how light reflects the surface [and] can generate a feeling. Sound can also be through feeling, through color, through texture.
The older I get, the more I feel those kinds of ghosts - especially the women in my life - moving out of the shadows a bit more and becoming more present in my life.
They all have their share of thoughts about what needs to be done. So we just ignored them.
Our Easters were elaborate productions with these big Easter Egg hunts out in the woods, and it was always, like, major . There was a golden egg and these crazy Easter baskets. My mother had seven sisters, and they all had children, so we'd have like 40 kids doing stuff together. It was a very celebrated time, one of many, and I realize now how it affected me as a kid.
I've always been interested in both areas. For a long time, they were on a parallel plane, and I didn't dedicate myself to one or the other any less or any more. And then I just reached a revelation that it wasn't just about dance, it wasn't about fine art. It was about these two forces that were important to me, finding a medium that would allow me to investigate both.
This one's got a story rather than being a series of cool vignettes.
I was making them do things and make the decisions that I always wanted them to do in movies. I mean, we had no story, we only had the proposition, so I was just writing 10 pages a day and handing them over and seeing what happens.
I think for Johnny, Australia had its western story as well,
I guess in all these films, ... there is a sense that morality is a luxury that we can afford in less fraught times, but in extreme situations and extreme environments, morality becomes a very grey issue.
It was a good script and it was a great story. It was just that it was basically an American western dumped in Australia. When I read it, I thought everyone's been behaving properly. Where's the incompetence, where's the failure?