Neil MacGregor
Neil MacGregor
Robert Neil MacGregor, OM, AO, FSAis a British art historian and former museum director. He was the editor of the Burlington Magazine from 1981 to 1987, then Director of the National Gallery, London, from 1987 to 2002, and finally Director of the British Museum from 2002 to 2015...
NationalityBritish
ProfessionHistorian
Date of Birth16 June 1946
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Hardest of all for Europeans to negotiate are traditional African religions, whose transactions with unseen powers are central to the running of life in many areas, the main weapon in the struggle against the forces of evil.
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While there are few records of Viking women participating in battle, they certainly held positions of high status in society as human sorceresses known as 'volvas.'
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I feel I understand now why, whenever there are revolutions, Shakespeare is what people turn to. Because whenever a society is on the cusp, about to become something else, they find themselves in Shakespeare.
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Creation stories, so central in the religions of the Middle East, play a surprisingly marginal part in Greek myth. The Greeks had nothing to set alongside the resounding 'In the beginning' in the book of Genesis, where one eternal God creates the universe out of nothing.
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The spread of Viking bling is a good indication of the spread of its culture.
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London theatre is different: it is a commercial theatre that brings the whole of society into one place. And Shakespeare grasped, better than anyone else, what it means to engage the entire audience.
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It is a standing source of astonishment and amusement to visitors that the British Museum has so few British things in it: that it is a museum about the world as seen from Britain rather than a history focused on these islands.
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In a very literal way, of course, Shakespeare did change the course of history: when it didn't fit the plot he had in mind, he simply rewrote it. His English histories play fast and loose with chronology and fact to achieve the desired dramatic effect, re-ordering history even as it was then understood.
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There's the constant concern with what happens to you when you die. Every society thinks about that and makes things to deal with that.
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The focus in the Western pictorial tradition is on the body of Christ, the bit you can paint, the Nativity and the infancy, but above all the Passion, where you can find images for every stage and every moment.
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Saddam Hussein was fascinated by ancient Babylon and Assyria. He made money available to protect and develop the great archaeological sites. The great achievements of Mesopotamian civilisation were pressed into the service of the Ba'athist regime.
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Prometheus - trickster, rebel and hero - links the realm of the gods with the world of humanity, with which he had such close affinity. His act of stealing fire has been viewed as the foundation of all man's technologies.
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If you are born in 1564, your dislocation from your parents' experience is very profound. You are the first generation who will have had all your religious experience in English, the first to have a countryman circumnavigate the globe. All the power and economic structures of the world are changing around you.
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Because of the long, long history of British shipping, immigration, trade, empire, missionaries, you can have a better shot at telling a worldwide story in the British Museum's collection than any other. Britain has been more connected with the rest of the world than any other country, for longer.