Neil Gaiman
Neil Gaiman
Neil Richard MacKinnon Gaiman is an English author of short fiction, novels, comic books, graphic novels, audio theatre, and films. His notable works include the comic book series The Sandman and novels Stardust, American Gods, Coraline, and The Graveyard Book. He has won numerous awards, including the Hugo, Nebula, and Bram Stoker awards, as well as the Newbery and Carnegie medals. He is the first author to win both the Newbery and the Carnegie medals for the same work, The...
NationalityBritish
ProfessionNovelist
Date of Birth10 November 1960
CityPortchester, England
art fun writing
I don't think it would be fun to write after inhaling art fumes. (What are art fumes?) No, I just make stuff up. It's easier that way.
writing dark thinking
She decides to make a list of the things that make her happy. She writes 'plum-blossom' at the top of a piece of paper. Then she stares at the paper, unable to think of anything else. Eventually it begins to get dark.
writing laughing scary
A good writer should be able to write comedic work that made you laugh, and scary stuff that made you scared, and fantasy or science fiction that imbued you with a sense of wonder, and mainstream journalism that gave you clear and concise information in a way that you wanted it.
writing people would-be
I wanted to write something that would be a comedy in the sense of making people feel happier when they finish it than they did when began it.
writing play musical
I want to write a play. I'd like to do an original musical. I should probably put together a poetry collection.
writing fiction stuff
I started out writing much more science fictiony stuff and writing about science fiction.
funny writing fate
Great, big, serious novels always get awards. If it's a battle between a great, big, serious novel and a funny novel, the funny novel is doomed.
book writing thinking
As for thinking time versus writing time, well, that's up to you. But - and I wish it were otherwise - books don't get written by thinking about them, they get written by writing them. And that's when you make discoveries about what you're writing. That's when you get the happy accidents.
book writing men
I'm more or less happily writing Chapter Six of The Graveyard Book. I say more or less as I'm at that place where I hope that the book knows what it's doing because right now I don't have a clue - I'm writing one scene after another like a man walking through a valley in thick fog, just able to see the path a little way ahead, but with no idea where it's actually going to lead him.
dream writing eye
"Only write what you know" is very good advice. I do my best to stick to it. I wrote about gods and dreams and America because I knew about them. And I wrote about what it's like to wander into Faerie because I knew about that. I wrote about living underneath London because I knew about that too. And I put people into the stories because I knew them: the ones with pumpkins for heads, and the serial killers with eyes for teeth, and the little chocolate people filled with raspberry cream and the rest of them.
writing worry people
Don't worry about trying to develop a style. Style is what you can't help doing. If you write enough, you draw enough, you'll have a style, whether you want it or not. Don't worry about whether you're "commercial". Tell your own stories, draw your own pictures. Let other people follow you.
writing ideas mad
Sometimes an old idea gets relegated to the back of the line in the mad delight of a new idea, one you've never had before, and that you write fast in the thrill of the new. No rules. Just stories, and you tell as many of them as you can.
wall writing cells
The secret to writing is just to write. Write every day. Never stop writing. Write on every surface you see; write on people on the street. When the cops come to arrest you, write on the cops. Write on the police car. Write on the judge. I'm in jail forever now, and the prison cell walls are completely covered with my writing, and I keep writing on the writing I wrote. That's my method.
writing heart play
Do the stuff only you can do. The urge starting out is to copy, and that's not a bad thing. Most of us find our voices only after we sound like a lot of other people. But the one thing that you have that nobody else has is you: your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can. The moment that you feel that, just possibly, you're walking down the street naked, exposing too much of your heart and your mind and what exists on the inside, showing too much of yourself, that's the moment you may be starting to get it right.