Neil Gaiman
Neil Gaiman
Neil Richard MacKinnon Gaiman is an English author of short fiction, novels, comic books, graphic novels, audio theatre, and films. His notable works include the comic book series The Sandman and novels Stardust, American Gods, Coraline, and The Graveyard Book. He has won numerous awards, including the Hugo, Nebula, and Bram Stoker awards, as well as the Newbery and Carnegie medals. He is the first author to win both the Newbery and the Carnegie medals for the same work, The...
NationalityBritish
ProfessionNovelist
Date of Birth10 November 1960
CityPortchester, England
Strategy number one is that I always, or almost always, have at least two or three different things that I'm writing at any one time.
If the same object from two different times touches itself, one of two things will happen. Either the Universe will cease to exist. Or three remarkable dwarfs will dance through the streets with flowerpots on their heads.
With pornography, if you don't get hard or wet, depending on your gender, it didn't work. With humour, if you don't laugh it didn't work. And with horror, if you don't get scared or haunted, depending on what it's trying to do, it didn't work. I'm fascinated by those three categories.
Twitter is great and it's glorious and it's easy, but if somebody comes up with something kind of like Twitter tomorrow, that's better or smarter or more useful, in three weeks time, Twitter could more or less be history because that's how fast things go.
When I started doing Sandman, I could look at a group of people lined up to get my autograph, and I knew who was my fan and who was somebody's mum there to get a signature. It doesn't work that way anymore. They're people. They're us. That's what they look like.
Fat Charlie wasn't sure that he liked freedom, ... There was too much open air involved.
You are time. Foul time, who steals the gold from a maiden's hair and takes the sapphire from a child's eyes. Dark time, who has stolen from every thing there ever was all the things that it held precious and divine... And left nothing but ashes and memories and the grave.
The best thing I think about me and Dave as a creative team is, we don't have to work together. We both have individual careers,
When you're 11, walking home from school through this strange little English landscape, running these weird, wonderful things through your head ... well, now this is one of those 'I've never told anybody this before' things,
Writing a book is lonelier and slower than writing comics. The joy of comics is that you have somebody to talk to. What you're writing isn't what anybody reads, it's a letter to an artist. There's immediate gratification as you start getting feedback on it.
Oh, tweeting prolifically is the most easy thing in the world. Tweeting prolifically is like somebody saying, 'Boy, you're a really good walker around,' you know. It's not really hard.
The joy of doing 'Sandman' was doing a comic and telling people, 'No, it has an end,' at a time when nobody thought you could actually get to the end and stop doing a comic that people were still buying just because you'd finished.
One thing that I get from a lot of people with 'American Gods' is people saying that they would love some kind of glossary with a list of all the Gods and who they are, so that they can look them up.
I'm English, and 'Doctor Who' was this thing that I've been watching since I was three.