Neil Gaiman
Neil Gaiman
Neil Richard MacKinnon Gaiman is an English author of short fiction, novels, comic books, graphic novels, audio theatre, and films. His notable works include the comic book series The Sandman and novels Stardust, American Gods, Coraline, and The Graveyard Book. He has won numerous awards, including the Hugo, Nebula, and Bram Stoker awards, as well as the Newbery and Carnegie medals. He is the first author to win both the Newbery and the Carnegie medals for the same work, The...
NationalityBritish
ProfessionNovelist
Date of Birth10 November 1960
CityPortchester, England
I wondered, as I wondered so often when I was that age, who I was, and what exactly was looking at the face in the mirror. If the face I was looking at wasn't me, and I knew it wasn't, because I would still be me whatever happened to my face, then what was me? And what was watching?
It’s an artist’s job to show people the world they live in. We hold up mirrors.
Stories are in one way or another mirrors. We use them to explain to ourselves how the world works or how it doesn’t work. Like mirrors stories prepare us for the day to come. They distract us from the things in darkness.
I wondered how I looked to her, in that place, and knew that even in a place that was nothing but knowledge that was the one thing I could not know. That if I look inward I would see only infinite mirrors staring into myself for eternity.
Traveling through the Dragon's Den, it has just been explained that Haroun, the Ifrit, has been caught in a mirror trap. Here is the passage that follows: "So," said Silas. "Now there are only three of us." "And a pig," said Kandar [the mummy] "Why?" Asked Miss Lupescu, with a wolf-tongue, through wolf teeth. "Why the Pig?" "It's lucky," said Kandar. Miss Lupescu growled, unconvinced. "Did Haroun have a pig?" asked Kandar, simply.
Mirrors,' she said, 'are never to be trusted.
It is said that scattered through Despair's domain are a multitude of tiny windows, hanging in the void. Each window looks out onto a different scene, being, in our world, a mirror. Sometimes you will look into a mirror and feel the eyes of Despair upon you, feel her hook catch and snag on your heart. Despair says little, and is patient.
The strangest part of being so well known is definitely getting a New Yorker profile. It's a wonderful, strange process, like seeing yourself through a distorting mirror.
When I started doing Sandman, I could look at a group of people lined up to get my autograph, and I knew who was my fan and who was somebody's mum there to get a signature. It doesn't work that way anymore. They're people. They're us. That's what they look like.
Fat Charlie wasn't sure that he liked freedom, ... There was too much open air involved.
You are time. Foul time, who steals the gold from a maiden's hair and takes the sapphire from a child's eyes. Dark time, who has stolen from every thing there ever was all the things that it held precious and divine... And left nothing but ashes and memories and the grave.
The best thing I think about me and Dave as a creative team is, we don't have to work together. We both have individual careers,
When you're 11, walking home from school through this strange little English landscape, running these weird, wonderful things through your head ... well, now this is one of those 'I've never told anybody this before' things,
Writing a book is lonelier and slower than writing comics. The joy of comics is that you have somebody to talk to. What you're writing isn't what anybody reads, it's a letter to an artist. There's immediate gratification as you start getting feedback on it.