Neil Gaiman

Neil Gaiman
Neil Richard MacKinnon Gaiman is an English author of short fiction, novels, comic books, graphic novels, audio theatre, and films. His notable works include the comic book series The Sandman and novels Stardust, American Gods, Coraline, and The Graveyard Book. He has won numerous awards, including the Hugo, Nebula, and Bram Stoker awards, as well as the Newbery and Carnegie medals. He is the first author to win both the Newbery and the Carnegie medals for the same work, The...
NationalityBritish
ProfessionNovelist
Date of Birth10 November 1960
CityPortchester, England
I had to persuade a dog to swallow a pill. I twittered for advice and I got suggestion after suggestion. Most of them didn't work. 'Put the pill in the sausage.' No - that doesn't work. 'Cheese.' No. Then someone said: 'You wrap it in butter and it will slide down.' I tried it and it worked! And I'd learnt how to give a pill to a dog through the magic of Twitter.
There are some dogs which, when you meet them, remind you that, despite thousands of years of man-made evolution, every dog is still only two meals away from being a wolf. These dogs advance deliberately, purposefully, the wilderness made flesh, their teeth yellow, their breath a-stink, while in the distance their owners witter, "He's an old soppy really, just poke him if he's a nuisance," and in the green of their eyes the red campfires of the Pleistocene gleam and flicker.
Coraline opened the box of chocolates. The dog looked at them longingly. "Would you like one?" she asked the little dog. "Yes, please," whispered the dog. "Only not toffee ones. They make me drool." "I thought chocolates weren't very good for dogs," she said, remembering something Miss Forcible had once told her. "Maybe where you come from," whispered the little dog. "Here, it's all we eat.
If you want to imagine the future, imagine a boy and his dog and his friends. And a summer that never ends.
Is the chemical aftertaste the reason why people eat hot dogs, or is it some kind of bonus?
When I started doing Sandman, I could look at a group of people lined up to get my autograph, and I knew who was my fan and who was somebody's mum there to get a signature. It doesn't work that way anymore. They're people. They're us. That's what they look like.
Fat Charlie wasn't sure that he liked freedom, ... There was too much open air involved.
You are time. Foul time, who steals the gold from a maiden's hair and takes the sapphire from a child's eyes. Dark time, who has stolen from every thing there ever was all the things that it held precious and divine... And left nothing but ashes and memories and the grave.
The best thing I think about me and Dave as a creative team is, we don't have to work together. We both have individual careers,
When you're 11, walking home from school through this strange little English landscape, running these weird, wonderful things through your head ... well, now this is one of those 'I've never told anybody this before' things,
Writing a book is lonelier and slower than writing comics. The joy of comics is that you have somebody to talk to. What you're writing isn't what anybody reads, it's a letter to an artist. There's immediate gratification as you start getting feedback on it.
Oh, tweeting prolifically is the most easy thing in the world. Tweeting prolifically is like somebody saying, 'Boy, you're a really good walker around,' you know. It's not really hard.
The joy of doing 'Sandman' was doing a comic and telling people, 'No, it has an end,' at a time when nobody thought you could actually get to the end and stop doing a comic that people were still buying just because you'd finished.
One thing that I get from a lot of people with 'American Gods' is people saying that they would love some kind of glossary with a list of all the Gods and who they are, so that they can look them up.