Mira Nair
Mira Nair
Mira Nairis an Indian American filmmaker based in New York. Her production company, Mirabai Films, specializes in films for international audiences on Indian society, whether in the economic, social or cultural spheres. Among her best known films are Mississippi Masala, The Namesake, the Golden Lion-winning Monsoon Wedding and Salaam Bombay!, which was nominated for the Academy Award for Best Foreign Language Film...
NationalityIndian
ProfessionDirector
Date of Birth15 October 1957
CountryIndia
Post 9/11, so much has changed in New York that it does not give you that homely feeling which it did before.
New York City is home to so many people from so many places and the uniqueness of it is that you never feel a foreigner. English is almost hardly ever heard in the subway. In fact, it's weird.
You know, the sad thing of post-9/11, which was of course horrific, was that the city in which I felt completely at home for two decades, suddenly people like us - brown people - were looked at as the 'Others.'
I am at home in many cultures. I live actively in three continents and I've done that for most of my life, so I just make films as I see the world, and that happens to speak to people. I do things that I want to do.
We have three generations at home, including my father-in-law. I keep a very low profile, and a lot of things I do are very much with the family in mind. I have actually made films with the family around me.
You know, the sad thing of post-9/11, which was of course horrific, was that the city in which I felt completely at home for two decades, suddenly people like us - brown people - were looked at as the 'Others.'
Once 9/11 happened, people who looked like me and whose children looked like us and whose husbands looked of a community, really were made to feel quite the other, and I thought that was impossible in a city like New York but I myself was witness to that.
In America, we have so many movies and so much media about the Islamic world, the sub-continental world, but it's not a conversation, it's a monologue. It's always from one point of view. 'If we don't tell our own stories, no one will tell them' is my mantra.
I wanted to add something that you've never seen about an actress before and this was my chance, and Reese's chance ... to make her a full-blown sensual woman. And to see also that emotional depth, that real range,
It's an extraordinarily funny and wonderful screenplay. It makes you laugh from the first page.
You have to want to be in the company of those you're making films about.
There's nothing universal about Indian families except that the family itself is deeply important across the country. It's sort of the fabric and anchor of our country.
I started to make my own films, however small and however independent they were, from the beginning. And so, even though I was nobody, I was always the master of my own work.
People ask me this, but I've never sought to be on an A-list. I've done my own thing and my own thing has thankfully now brought me an audience.