Milan Kundera
Milan Kundera
Milan Kunderais a Czech-born writer who went into exile in France in 1975, and became a naturalised French citizen in 1981. He "sees himself as a French writer and insists his work should be studied as French literature and classified as such in book stores"...
NationalityCzechoslovakian
ProfessionWriter
Date of Birth1 April 1929
dream reflection mirrors
Just imagine living in a world without mirrors. You'd dream about your face and imagine it as an outer reflection of what is inside you. And then, when you reached forty, someone put a mirror before you for the first time in your life. Imagine your fright! You'd see the face of a stranger. And you'd know quite clearly what you are unable to grasp: your face is not you.
names mirrors giving
By giving the love act a name, if only an innocent little word like, "it," he paved the way for other words, words that would reflect physical love as in a set of mirrors.
strong love-is mirrors
But deep down she said to herself, Franz maybe strong, but his strength is directed outward; when it comes to the people he lives with, the people he's loves, he's weak. Franz's weakness is called goodness. Franz would never give Sabina orders. He would never command her, as Tomas had, to lay the mirror on the floor and walk back and forth on it naked. Not that he lacks sensuality; he simply lacks the strength to give orders. There are things that can be accomplished only by violence. Physical love is unthinkable without violence.
life outline quite rehearsal sketch whereas worth
We live everything as it comes, without warning, like an actor going on cold. And what can life be worth if the first rehearsal for life is life itself? That is why life is always a sketch. No sketch is not quite the right word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch of nothing, an outline with no picture.
Broch is an inspiration to us, not only because of what he accomplished, but also because of all that he aimed at and could not attain.
art endless master novel technique trap
In order to make the novel into a polyhistorical illumination of existence, you need to master the technique of ellipsis, the art of condensation. Otherwise, you fall into the trap of endless length.
change
Every change of scene requires new expositions, descriptions, explanations.
almost discreet incapable life speaking states
I am incapable of speaking of myself and of my life and the states of my soul, I am discreet to an almost pathological degree, and there is nothing I can do against that.
accused bed breakfast bring brought careful dangerous unless
O lovers! Be careful in those dangerous first days! Once youve brought breakfast in bed youll have to bring it forever, unless you want to be accused of lovelessness and betrayal.
jobs men epic
[Kafka] transformed the profoundly antipoetic material of a highly bureaucratized society into the great poetry of the novel; he transformed a very ordinary story of a man who cannot obtain a promised job . . . into myth, into epic, into a kind of beauty never before seen.
crazy love-is crazy-love
Yes, it's crazy. Love is either crazy or it's nothing at all.
basic born characters containing equally fond horrified human image novels
This is the image from which he was born...... Characters are not born, like people, of woman; they are born of a situation, a sentence, a metaphor, containing in a nutshell a basic human possibility......the characters in my novels are my own unrealized possibilities. That is why I am equally fond of them and equally horrified by them......
beautiful two people
Two people in love, alone, isolated from the world, that's very beautiful. But what would they nourish their intimate talk with? However contemptible the world may be, they still need it to be able to talk together.
feelings way action
...no one can do a thing about feelings, they exist and there's no way to censor them. We can reproach ourselves for some action, for a remark, but not for a feeling, quite simply because we have no control at all over it.