Milan Kundera
Milan Kundera
Milan Kunderais a Czech-born writer who went into exile in France in 1975, and became a naturalised French citizen in 1981. He "sees himself as a French writer and insists his work should be studied as French literature and classified as such in book stores"...
NationalityCzechoslovakian
ProfessionWriter
Date of Birth1 April 1929
fall believe sleep
Even at the age of eight she would fall asleep by pressing one hand into the other and making believe she was holding the hand of the man whom she loved, the man of her life. So if in her sleep she pressed Tomas hand with such tenacity, we can understand why: she had been training since childhood.
children real believe
Youth is terrible: it is a stage trod by children in buskins and a variety of costumes mouthing speeches they've memorized and fanatically believe but only half understand. And history is terrible because it so often ends up a playground for the immature; a playground for the young Nero, a playground for the young Bonaparte, a playground for the easily roused mobs of children whose simulated passions and simplistic poses suddenly metamorphose into a catastrophically real reality.
believe doe adults
To die; to decide to die; that's much easier for an adolescent than for an adult. What? Doesn't death strip an adolescent of a far larger portion of future? Certainly it does, but for a young person, the future is a remote, abstract, unreal thing he doesn't really believe in.
beautiful crazy believe
Believe me, nothing is more beautiful than to carry out crazy ideas. I'd like my whole life to be one single crazy idea.
life outline quite rehearsal sketch whereas worth
We live everything as it comes, without warning, like an actor going on cold. And what can life be worth if the first rehearsal for life is life itself? That is why life is always a sketch. No sketch is not quite the right word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch of nothing, an outline with no picture.
Broch is an inspiration to us, not only because of what he accomplished, but also because of all that he aimed at and could not attain.
art endless master novel technique trap
In order to make the novel into a polyhistorical illumination of existence, you need to master the technique of ellipsis, the art of condensation. Otherwise, you fall into the trap of endless length.
change
Every change of scene requires new expositions, descriptions, explanations.
almost discreet incapable life speaking states
I am incapable of speaking of myself and of my life and the states of my soul, I am discreet to an almost pathological degree, and there is nothing I can do against that.
accused bed breakfast bring brought careful dangerous unless
O lovers! Be careful in those dangerous first days! Once youve brought breakfast in bed youll have to bring it forever, unless you want to be accused of lovelessness and betrayal.
jobs men epic
[Kafka] transformed the profoundly antipoetic material of a highly bureaucratized society into the great poetry of the novel; he transformed a very ordinary story of a man who cannot obtain a promised job . . . into myth, into epic, into a kind of beauty never before seen.
crazy love-is crazy-love
Yes, it's crazy. Love is either crazy or it's nothing at all.
basic born characters containing equally fond horrified human image novels
This is the image from which he was born...... Characters are not born, like people, of woman; they are born of a situation, a sentence, a metaphor, containing in a nutshell a basic human possibility......the characters in my novels are my own unrealized possibilities. That is why I am equally fond of them and equally horrified by them......
beautiful two people
Two people in love, alone, isolated from the world, that's very beautiful. But what would they nourish their intimate talk with? However contemptible the world may be, they still need it to be able to talk together.