Mike Nichols
Mike Nichols
Mike Nicholswas a German-American film and theatre director, producer, actor and comedian. He was noted for his ability to work across a range of genres and an aptitude for getting the best out of actors regardless of their acting experience. Nichols began his career in the 1950s with the comedy improvisational troupe, The Compass Players, predecessor of The Second City, in Chicago. He then teamed up with his improv partner, Elaine May, to form the comedy duo Nichols and May...
NationalityGerman
ProfessionDirector
Date of Birth6 November 1931
CityBerlin, Germany
CountryGermany
With a preliminary look at the budget, I don't see how to fund the debt service fund. The debt service will be in the hole next year. And number two, there's the school capital budget.
The whole point about laughter is it's like mercury: you can't catch it, you can't catch what motivates it - that's why it's funny.
I never understand when people say, 'Do you do comedy or tragedy?' I don't think they're very much different. They both have to be true, and there isn't a great play in the world that doesn't have funny parts to it - as 'Salesman' does, as 'King Lear' does. The whole idea is to reflect life in some way, which means surely you have to have both.
If you want to be a legend, God help you, it's so easy. You just do one thing. You can be the master of suspense, say. But if you want to be as invisible as is practical, then it's fun to do a lot of different things.
The reason you do this stuff - comedy, plays, movies - is to be seized by something, to disappear in the service of an idea.
Very often when a story really holds us, it gets pushed away because it's too close for comfort.
The reason that most British actors are better than most American actors in the end is that they don't make any money. At the very end of their lives, they get into a space movie and they make a lot of money, but until that happens, basically, they don't have bank accounts. They live from day to day.
I don't expect anything from reviews. Sometimes I am bemused by them.
I don't know that a political climate - as long as it's still a free country - makes much difference in the film world.
'Catch-22' was a nightmare to make, and everybody was unhappy except me.
I loved all movies, literally. I certainly loved 'Shane' and 'Roxie Hart.' Later on, when I was less of a kid, I loved 'L'Avventura' and 'Persona' and all Fellini movies and like everybody else I loved John Ford. Then and now, I loved Preston Sturges, maybe above anyone.
My father wasn't too crazy about me. I loved him anyway. One of the things I regretted for a long time was that he died before he could see that he would be proud of me. I was actually more what he wished for than he thought.
Never let people see what you want, because they will not let you have it. Never let anybody see what you feel, because it gives them too much power. You're probably better off not showing weakness whenever you can avoid it, because they'll go for you.
The producers want us to sell, sell, sell. That's my little joke. That's what we do by day; by night, we're artists.