Mike Mills
Mike Mills
Michael Edward "Mike" Millsis an American multi-instrumentalist, singer, and composer who was a founding member of the alternative rock band R.E.M. Though known primarily as a bass guitarist, backing vocalist, and pianist, his musical repertoire also includes keyboards, guitar, and percussion instruments. He contributed to a majority of the band's musical compositions...
NationalityAmerican
ProfessionGuitarist
Date of Birth17 December 1958
CityOrange County, CA
CountryUnited States of America
I think I make films to help bolster and feed the part of me that wants to remain in a positive relationship with the world and to engage in it. So hopefully in non-sentimental ways, I'm trying to make something that helps make me happy.
I think Elliott's songs and The Spree's songs complement each other both chord and tone-wise, as well as with the goals of their music. In different ways, they both have written music that deals with being fragile. Yes, I think The Spree are all about fragility. As big and happy as they can sound, they're sort of 'The Fragile Army' to me.
L.A. is so isolated and unhip in a way; it gives you room to figure out who you are and explore more personal stuff.
Life doesn't just happen; it's constructed through the history of power. And that's something I am interested in and so is the art world: a world that's trying to engage socially, with a leftist slant, to work out how we got here.
To be honest, we have no control over what's going on with a movie, much less what people are going to think of it. Your whole life is wound up in it but you don't have control and you have to get used to being on that turbulent plane without trying to fly it. The less you think about all that the better.
I think that animals aren't less intelligent than humans, they're just of a different intelligence. We have five million smell-sensitive cells in our nose, they have two hundred and fifty million - they can smell emotion. They can smell different types of emotion, they just have another type of intelligence.
When a film works, the director had a lot to do with that, but the director also didn't have a lot to do with that. There are so many moving parts. It's really about being open to how the river is flowing and trying to get on the river.
One good and bad thing about New York is there's so much exciting stuff and so many people doing something interesting. I actually find in New York that you become more careerist and more focused on what's the newest, hippest thing.
I think that talking about the personal specificity, personal details, is how you get the big, big audiences - by talking about your relationships or your personal tragedies. If you reach out with that energy, you'll touch people.
I've always known that I love directing but I was really aware of it while making 'Beginners.' I am my happiest when I'm on set directing. I am also my kindest. When the actors get in front of the camera, it makes them very vulnerable. I am so in love with them for trying so hard.
You have this 18-year old who is trying to figure out his life. But you also have these 40-year-olds who are trying to figure out their lives, and this whole myth of, 'Once I have a family, a house, a husband, this hole I felt will be filled up and I'll be OK,' ... At 40 they're, 'Wait a minute, it's not all OK, I still have all those problems. What do I do now?' And I'm really happy to have both of those problems and both of those ages in the same story.
We never give up until the legislative session is over.
It was pretty fun - good just playing with all these people at my level. It's nice playing against people I know will make me better. It's just good holding up the Vanguard tradition and giving my all here tonight.
The biggest thing that floors me is that nobody can tell me where this rule comes from.