Michel de Montaigne

Michel de Montaigne
Michel Eyquem de Montaignewas one of the most significant philosophers of the French Renaissance, known for popularizing the essay as a literary genre. His work is noted for its merging of casual anecdotes and autobiography with serious intellectual insight; his massive volume Essaiscontains some of the most influential essays ever written. Montaigne had a direct influence on writers all over the world, including Francis Bacon, René Descartes, Blaise Pascal, Jean-Jacques Rousseau, Albert Hirschman, William Hazlitt, Ralph Waldo Emerson, Friedrich Nietzsche,...
NationalityFrench
ProfessionPhilosopher
Date of Birth28 February 1533
CountryFrance
No one but yourself knows whether you are cowardly and cruel, or loyal and devout; others do not see you; they surmise you by uncertain conjectures; they perceive not so much your nature as your art.
Since philosophy is the art which teaches us how to live, and since children need to learn it as much as we do at other ages, why do we not instruct them in it?
We are neither obstinately nor wilfully to oppose evils, nor truckle under them for want of courage, but that we are naturally to give way to them, according to their condition and our own, we ought to grant free passage to diseases; and I find they stay less with me who let them alone. And I have lost those which are reputed the most tenacious and obstinate of their own defervescence, without any help or art, and contrary to their rules. Let us a little permit nature to take her own way; she better understands her own affairs than we.
Among the liberal arts, let us begin with the art that liberates us.
The art of dining well is no slight art, the pleasure no slight pleasure.
The pleasantest things in the world are pleasant thoughts, and the great art of life is to have as many of them as possible.
But sure there is need of other remedies than dreaming, a weak contention of art against nature.
Difficulty is a coin the learned make use of like jugglers, to conceal the inanity of their art.
My trade and art is to live.
We have more poets than judges and interpreters of poetry. It is easier to write an indifferent poem than to understand a good one. There is, indeed, a certain low and moderate sort of poetry, that a man may well enough judge by certain rules of art; but the true, supreme, and divine poesy is equally above all rules and reason. And whoever discerns the beauty of it with the most assured and most steady sight sees no more than the quick reflection of a flash of lightning.
If I were of the trade, I should naturalize art as much as they "artialize" nature.
Dreams are faithful interpreters of our inclinations; but there is art required to sort and understand them.
It is not reasonable that art should win the place of honor over our great and powerful mother Nature. We have so overloaded the beauty and richness of her works by our inventions that we have quite smothered her.
My art and profession is to live.