Michael Ondaatje
Michael Ondaatje
Philip Michael Ondaatje, OC, is a Sri Lankan-born Canadian novelist and poet. He won the Booker Prize for his novel The English Patient, which was adapted as the 1996 film of the same name...
NationalityCanadian
ProfessionNovelist
Date of Birth12 September 1943
CountryCanada
mean past our-lives
But we were interested in how our lives could mean something to the past. We sailed into the past.
mean eye army
When we are young we do not look into mirrors. It is when we are old, concerned with our name, our legend, what our lives will mean to the future. We become vain with the names we own, our claims to have been the first eyes, the strongest army, the cleverest merchant. It is when he is old that Narcissus wants a graven image of himself.
taken mean secret
I love the performance of a craft, whether it is modest or mean-spirited, yet I walk away when discussions of it begin - as if one should ask a gravedigger what brand of shovel he uses or whether he prefers to work at noon or in moonlight. I am interested only in the care taken, and those secret rehearsals behind it. Even if I do not understand fully what is taking place.
heart mean sleep
A love story is not about those who lost their heart but about those who find that sullen inhabitant who, when it is stumbled upon, means the body can fool no one, can fool nothing—not the wisdom of sleep or the habit of social graces. It is a consuming of oneself and the past.
mean third-person persons
Death means you are in the third person.
falling-in-love mean thinking
Could you fall in love with her if she wasn't smarter than you? I mean, she may not be smarter than you. But isn't it important for you to think she is smarter than you in order to fall in love? Think now.
falling-in-love fall doe
How does this happen? To fall in love and be disassembled.
point state
You're getting everyone's point of view at the same time, which, for me, is the perfect state for a novel: a cubist state, the cubist novel.
writing space people
There's a lot of thievery involved in writing. You're breaking into other people's spaces and other people's stories.
couple parent scary
I kind of was shoveled onto a boat at 11 and went to England. I didn't have any parent watching over me. It was very free and may have been a bit of a scary time for me, but I really don't remember much about the voyage apart from playing ping-pong a lot with a couple friends.
doors space people
I often need a limited space. It's like having a house to roam around in and reinvent and have things to happen in, kind of like a French farce. Doors opening, doors closing, new people arriving, and disappearing, and so forth.
kids writing giving
People don't write about kids; you have to give them a lot of freedom, and that causes anarchy and that causes farce.
growing-up war australia
I want the marginality to come into the center. This is the thing I was conscious of growing up, when I later lived in England. I saw all these war movies that came out shortly after the war, and they were all about the war being fought by Englishmen or Americans, there were no other "allies" in it - from India or Australia, etc.
next reason scene
There always should be something hanging unfinished before a scene ends so that there's a reason for going to the next scene.