Michael Bolton
Michael Bolton
Michael Bolotin, known professionally as Michael Bolton, is an American singer and songwriter. Bolton originally performed in the hard rock and heavy metal genres from the mid-1970s to the mid-1980s, both on his early solo albums and those he recorded as the frontman of the band Blackjack. He became better known for his series of pop rock ballads, recorded after a stylistic change in the late 1980s...
NationalityAmerican
ProfessionRock Singer
Date of Birth26 February 1953
CityNew Haven, CT
CountryUnited States of America
I was blown away by the control and the range that I was hearing. I'm listening to Pavarotti and thinking, What the hell have I been doing with my voice all these years?
It's not quite the Tom Jones show, but yes, I've had undergarments. If I get a bra chucked on stage I'll hold it up so the audience can decide what to think. And I'll usually blame a guy for doing it.
There are certain people who have become better artists, but they're brilliant at marketing. I think someone who's been phenomenal like that is Madonna.
When your car is about to go off a cliff, it’s a weird time to be thinking about gas mileage and drag coefficients; better to take the right control action—look out the window and steer or use the brake until you’re back on course.
You know, fans who think we were made for each other and describe it in excruciating detail. You get peculiar things and beautiful things. But either way they're clearly thinking about you, which is nice.
It's an extremely stressful case for the clients and they're all going to be pleased to have it moving along.
When Coretta Scott King invited me to come to Atlanta and give a speech and sing at a tribute to her last year, I decided to write a song for her and sing it directly to her. I was studying her words and history, and I wrote 'The Courage in Your Eyes.' I look at those pictures of her standing with Dr. King -- she was a rock.
This has been five or six years of the most difficult experience of my entire life.
I'd like to write again with Bob Dylan again. I have some ideas about where I want to go and I'd love to work with him, at least lyrically. It was a really painless writing experience, again I was intimidated and star-struck - in awe of his brilliance and the music that I loved as a kid, the songs of his I did in clubs. When I was in his presence, I was a kid, trying to quiet my mind from this mantra of 'Oh my god this is Bob Dylan!'
We'll see if we can get (Swayze) up on stage, ... He had a big hit with 'She's Like the Wind.' And we all know he can dance that's for sure.
When I was invited to sing with Pavarotti, I had about two weeks to learn Italian.
I have to be happy in the here and now because I've seen that every time you start focusing on your legacy you're really setting yourself up for disappointment, you're basically presuming too much by even using the word legacy - that someone is going to care, that someone is going to look and to listen.
I just feel like the best I can do is step up to the microphone, sing something I can get my vocal teeth into. That must be how Lennox Lewis feels when he gets into the ring. That's my domain. And you can't make everybody love what you do, but you can know how great you feel doing it.
Time works against you in this kind of career - there's someone sitting on the bench who's a little better, a little faster. If you do take care of your voice, and you have the good fortune of having enough success for a certain period of time, you can continue doing what you love to do.