Matthew Tobin Anderson
Matthew Tobin Anderson
Matthew Tobin Anderson, known as M.T. Andersonis an American writer of children's books that range from picture books to young-adult novels. He won the National Book Award for Young People's Literature in 2006 for The Pox Party, the first of two "Octavian Nothing" books, which are historical novels set in Revolution-era Boston. Anderson is known for using wit and sarcasm in his stories, as well as advocating that young adults are capable of mature comprehension...
NationalityAmerican
ProfessionAuthor
Date of Birth4 November 1968
CountryUnited States of America
There are times when friendship feels like running down a hill together as fast as you can, jumping over things, spinning around, and you don't care where you're going, and you don't care where you've come from, because all that matters is speed, and the hands holding your hands.
There is a power in names. Olakunde told us of ashe-the power which runs through all things, subtle and flexible, which find its most potent expression in human utterance; so that it is a terrible thing to call down imprecations on an enemy, or to wish for anything but good, for what is said out loud is forged into truth.
Sometimes reading other writers helps. You learn some little technique that turns out to be useful, or simply are reinspired by the amazing things others do.
I think kids are excited by language, and they're not always given credit for that.
One of the series I like is D.M. Cornish's 'Monster Blood Tattoo,' in which he creates a whole language. Kids who are reading that are building a language in their heads. There's no real cognitive difference. I think kids are excited by language, and they're not always given credit for that.
We love fantasy novels in which the characters think that they're peasants but turn out to be princes and kings.
The bedroom in my apartment is far too small to hold a nightstand. There is, however, this bookshelf. Yes, I stow whatever I'm reading on the lower shelf, but more importantly, it's where I keep a collection of ghost books.
All of my books, which are supposedly, I mean they're called YA novels, my hope is that adults would find no reason not to read them if they read them.
A lot of the drive to make narratives came from having to play by myself as a 5- or 6-year-old in the woods.
I don't want to go out hunting for dismal topics to write about.
I feel like it's important every once in a while to estrange ourselves from the familiar to remind ourselves of the potentialities of people, how many different ways there are of being.
We went to the moon to have fun, but the moon turned out to completely suck.
Whispering makes a narrow place narrower.
You need the noise of your friends in space.