Martin Scorsese
Martin Scorsese
Martin Charles Scorsese is an American director, producer, screenwriter, actor, and film historian, whose career spans more than 53 years. Scorsese's body of work addresses such themes as Sicilian-American identity, Roman Catholic concepts of guilt and redemption, machismo, modern crime, and gang conflict. Many of his films are also notable for their depiction of violence and liberal use of profanity...
NationalityAmerican
ProfessionDirector
Date of Birth17 November 1942
CityQueens, NY
CountryUnited States of America
The vampire thing always works for some reason. Always works.
I happen to like vampires more than zombies.
If one of the actors from your film is not talking on that screen in the middle of the night, there will be five other actors from five different films talking.
Etta James' voice is just as commanding as it was when she was young, but it's different -- deeper, tougher. How could it not be? That's what life can do to you.
We couldn't have cared less about the government, especially the city government, which produced policemen who did nothing but take graft.
I've admired and enjoyed his many musical transformations. For me, there is no other musical artist who weaves his influences so densely to create something so personal and unique.
This is the first present-day film I've made in 20 years,
Cause who's gonna figure the man out? We want an answer for everything, but he can't give you the answer! You know the man through his art, and he's still going. He doesn't know where he's gonna wind up. He's trying to get home. Like all of us, I guess.
Many of these names on the Walk of Fame bloom larger than life. They created the grammar of cinema.
It's a very savage kind of humor, it comes out of a great deal of pain.
I'm often asked by younger filmmakers, 'Why do I need to look at old movies?' I've made a number of pictures in the last 20 years and the response I have to give them is that I still consider myself a student. The more pictures I've made in 20 years, the more I realize I really don't know. And I'm always looking for something or someone that I could learn from. I tell the younger filmmakers, and the young students, that do it like painters used to do—that painters do—study the old masters, enrich your palette, expand the canvas. There's always so much more to learn.
Film in the 20th century, it's the American art form, like jazz.
Watching Dylan's eyes as he searches for these words, you see it all happening there,
His films became increasingly fascinating to me because of the editing style, a very crisp, clear style of editing that kind of points the audience toward where to look in a scene.