Martin Campbell
Martin Campbell
Martin Campbellis a New Zealand TV and film director, best known for directing Bond movies GoldenEyeand Casino Royale. He also directed Green Lantern, The Mask of Zorroand The Legend of Zorro...
NationalityNew Zealander
ProfessionDirector
Date of Birth24 October 1943
CityHastings, New Zealand
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Bond in 'Goldeneye' is pretty much a set character. To be honest, he's another version of Connery, and Connery was terrific. How many submarines can you blow up? How many control rooms are evaporating?
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The thing is, the Superman comics have been around a long time, and so have the movies. They've done a lot of Superman movies, as they have with Batman.
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The 3D thing has been abused slightly, I think. There is no question about that. 'Avatar' did it magnificently, and then, of course, there was the old 'leaping on the bandwagon' thing where there have been one or two films which, let's face it, all know look bloody awful with the 3D.
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No, his teeth didn't get knocked out. What happened was that one of his caps came loose while we were filming in Prague. A local dentist came to the set, put a bit of glue on it, and that was that. The whole thing took 10 minutes.
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Of course, it'll probably be north of $100 million, as they tend to be, because these days, ironically enough, there's an awful lot of films that are costing that, but beyond that, I can't tell you.
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I felt 'Quantum of Solace' completely lost its way. We were lucky on 'Casino Royale:' it was the origin story of Bond. Bond had the one and only affair that meant anything to him, and affected him throughout the rest of the series.
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With 'GoldenEye,' the franchise got locked into this legal fight. They couldn't make new Bond movies for about seven years. It was my first huge production. I figured if I did at least a yeoman-like job, it would be greeted as a complete revival of the series.
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Daniel is a superb actor who has all the qualities needed to bring a contemporary edge to the role.
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It's much easier to make a Superman or Batman film than a Green Lantern film.
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It is really the arc in which he becomes Bond. He starts out just having earned his double-0 stripes and comes out at the end the Bond we know and love.
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I tried to get a job as a TV cameraman and they basically told me, 'You're mad, everyone wants these jobs - and if you go to England, you're doubly mad.' But I worked in abattoirs for 10 months to earn my money, then left for London. I didn't even know what a director did.
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I suspect there are a bunch of us lone rangers out there.
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I always look at these superhero films, and I see people hurdling towards at a hundred miles per hour, and then they get up, shake their head, and charge back at a hundred miles per hour. Nobody seems to really get injured or hurt. I don't find any threat in that. There is no tension in that whatsoever.
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I remember standing Catherine next to Antonio and I thought, 'I don't even need to look at the screen tests. I know exactly,' and, as it turned out, they just work extremely well together.