Markus Zusak

Markus Zusak
Markus Frank Zusak,is an Australian writer. He is best known for The Book Thief and The Messenger, two novels for young adults which have been international best-sellers. He won the annual Margaret Edwards Award in 2014 for his contribution to young-adult literature published in the US...
NationalityAustralian
ProfessionYoung Adult Author
Date of Birth23 June 1975
CountryAustralia
realizing
I realize that nothing belongs to her anymore and she belongs to everything.
moving kissing reality
The impoverished always try to keep moving, as if relocating might help. They ignore the reality that a new version of the same old problem will be waiting at the end of the trip- the relative you cringe to kiss.
running reality laughing
Our footsteps run, and I don't want them to end. I want to run and laugh and feel like this forever. I want to avoid any awkward moment when the realness of reality sticks its fork into our flesh, leaving us standing there, together. I want to stay here, in this moment, and never go to other places, where we don't know what to say or what to do.
real writing years
I don't write poetry or short stories. I don't like to write articles usually. I tend to really only want to be focused on writing novels. It's one of the real advantages I've had over the years. I've only been good at one thing. It helps to be limited.
queens real beauty-queen
Not a beauty queen. Not one of those. You know the ones. She was real.
real stories courses
Of course you're real-like any thought or any story. It's real when you're in it.
real fall break
You can do anything when it's not real. When it is real, nothing breaks your fall. Nothing gets between you and the ground.
real believe book
There are two magic acts I want to pull off when I write. One is creating a feeling that when you're inside a book, you believe everything you're reading even when you know it's not true. And the second is an extension of that, which is you know it's not true, you know it's not real, but you believe it anyway. And it's that believing of the story that isn't real that attracted me to writing and storytelling in general.
books books-and-reading step teenage
So many teenage books say, 'This is in your voice, this is about you,' and that's great. We really need that. But we also need books that say, 'This is also for you, but you need to come up here, to step up to this.
book books-and-reading piece small
I feel like every other book has been a small piece of me. This is every piece of me.
child gem love page playing
I like the idea that every page in every book can have a gem on it. It's probably what I love most about writing - that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around.
book time written
It's the first time I've been really worried. It's the first time I've written a book and thought, 'Can I do a better book?' I don't know if I can.
book clearly dr fire memory sky visual
I've got every Dr Seuss book there is. Everything was red, like the sky was on fire. That was a memory that I could see really clearly as a child, a very visual image.
trying firsts colour
First the colours. Then the humans. That’s usually how I see things. Or at least, how I try.