Mark Helprin

Mark Helprin
Mark Helprinis an American novelist, journalist, conservative commentator, Senior Fellow of the Claremont Institute for the Study of Statesmanship and Political Philosophy, Fellow of the American Academy in Rome, and Member of the Council on Foreign Relations. While Helprin's fictional works straddle a number of disparate genres and styles, he has stated that he "belongs to no literary school, movement, tendency, or trend"...
NationalityAmerican
ProfessionNovelist
Date of Birth28 June 1947
CountryUnited States of America
Mozart and Neil Diamond may have begun with the same idea, but that a work of art is more than an idea is confirmed by the difference between the 'Soave sia il vento' and 'Kentucky Woman.' We have different words for 'art' and 'idea' because they are two different things.
I have been fighting over commas all my life.
He knew very well that love could be like the most beautiful singing, that it could make death inconsequential, that it existed in forms so pure and strong that it was capable of reordering the universe. He knew this, and that he lacked it, and yet as he stood in the courtyard of the Palazzo Venezia, watching diplomats file quietly out the gate, he was content, for he suspected that to command the profoundest love might in the end be far less beautiful a thing than to suffer its absence.
As long as you have life and breath, believe. Believe for those who cannot. Believe even if you have stopped believing. Believe for the sake of the dead, for love, to keep your heart beating, believe. Never give up, never despair, let no mystery confound you into the conclusion that mystery cannot be yours.
We launch our souls from the cannons of art and discipline, and on any one night, hovering over the chimney tops of Europe, halfway to the stars, there are armies of brightly spinning spirits that have risen like fireworks, tethered to the souls of those men and women who, by reflection, mortification, and devotion, effortlessly outdazzle kings.
Perhaps things are most beautiful when they are not quite real; when you look upon a scene as an outsider, and come to possess it in its entirety and forever; when you live in the present with the lucidity and feeling of memory; when, for want of connection, the world deepens and becomes art.
Rigel, Betelgeuse, and Orion. There was no finer church, no finer choir, than the stars speaking in silence to the many consumptives silently condemned, a legion upon the dark rooftops. The wind came down from the north like a runner in lacrosse, violent and hard, to batter every living thing. They were there, each one alone in conversation with the stars, mining ephemeral love from cold and distant light.
You’ll join me sooner than you know in a place with . . . no illusions, where the truth is the only architecture, the only color, the only sound--where that which we sense merely on occasion, and which takes us up and gives us the rare and beautiful glimpses of the things we truly love, flows in deep rivers and tumbles about like clouds in the sky.
There is justice in the world, Peter Lake, but it cannot be had without mystery.
He felt as if he were paying for the privilege of music with portions of his life and body. But it was well worth it.
And if you were a spirit, and time did not bind you, and patience and love were all you knew, then there you would wait for someone to return, and the story to unfold.
They gave themselves up to the stars the way swimmers can surrender to the waves, and the stars took them without resistance.
To see the beauty of the world is to put your hands on lines that run uninterrupted through life and through death. Touching them is an act of hope, for perhaps someone on the other side, if there is another side, is touching them, too.
Justice can sleep for years and awaken when it is least expected. A miracle is nothing more than dormant justice from another time arriving to compensate those it has cruelly abandoned. Whoever knows this is willing to suffer, for he knows that nothing is in vain.