Marina Abramovic
Marina Abramovic
Marina Abramovićis a Yugoslav performance artist based in New York. Her work explores the relationship between performer and audience, the limits of the body, and the possibilities of the mind. Active for over three decades, Abramović has been described as the "grandmother of performance art." She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body."...
NationalitySerbian
ProfessionPerformance Artist
Date of Birth30 November 1946
CountrySerbia
When people ask me where I am from I never say, 'Serbia.' I always say, 'I come from a country that no longer exists.'
I used to have a recurring dream where I was at a party in a country house, surrounded by the same people each evening. Everyone would be singing and dancing and after a while I came to know the people; though, of course, they never really existed.
People have so much pain inside them that they're not even aware of.
People put so much effort into starting a relationship and so little effort into ending one.
Every party is the same, too many people, too little food, and you have to wait around. I'm extremely bored with parties.
I believe so much in the power of performance I don't want to convince people. I want them to experience it and come away convinced on their own.
Most people are more comfortable with what is familiar. I’ve spent my life doing the opposite.
I just want to create situations where people forget time.
Once you live in New York, you can't live anywhere else. Living in Paris is like going in slow motion. It's so bourgeois. I get so bored.
If you do performance and music, it's not performance as music.
I think 21st century should be art without objects.
The only theatre I do is my own. Somehow, my life is the only life that I can play.
Most of the time, the artists are not supposed to wear the fashion. It is always seen as a vanity. But I think I don't need to prove anything in my life. I can honestly say I love fashion and I can be many things at the same time.
I really don't like art where you need to know so much theory to understand. If the theory is removed, it doesn't do anything. That means that this work is an illustration of theory, and I don't believe in the power of the work itself.