Marilynne Robinson
Marilynne Robinson
Marilynne Summers Robinsonis an American novelist and essayist best known for her novels Housekeepingand Gilead...
NationalityAmerican
ProfessionNovelist
Date of Birth26 November 1943
CountryUnited States of America
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I tend to think of the reading of any book as preparation for the next reading of it. There are always intervening books or facts or realizations that put a book in another light and make it different and richer the second or the third time.
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I think about things like the fact that nobody knows what time is. Time is what? Nobody can describe it, even physics or math or anything else. But it is what we continuously experience. It's the state of our unfolding, in a way, and in that sense that the continuous reopening of reality is what I think of as, perhaps, a worldview.
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I'm a great admirer of secularism. At its best, I think it's one of the best things that we have. I don't believe in insinuating religion into conversation. I don't believe in excluding it from conversation. I enjoy the fact that people's innermost thoughts are their own.
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When I'm writing fiction, I'm sort of interested by the fact that somehow or other I can have the feeling of actually seeing things through someone else's eyes.
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I think the attempt to defend belief can unsettle it, in fact, because there is always an inadequacy in argument about ultimate things.
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I read things like theology, and I read about science, Scientific American and publications like that, because they stimulate again and again my sense of the almost arbitrary given-ness of experience, the fact that nothing can be taken for granted.
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Fact explains nothing. On the contrary, it is fact that requires explanation.
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I owe everything that I have done to the fact that I am very much at ease being alone.
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When I read 'Paradise Lost,' or 'Richard III,' it is clear that Milton and Shakespeare took real pleasure and satisfaction from creating these epitomes of evil.
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My brother told me I was going to be a poet. I had a good brother. He did a lot of good brotherly work.
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Teaching is a distraction and a burden, but it's also an incredible stimulus. And a reprieve, in a way. When you're trying to work on something and it's not going anywhere, you can go to school and there's a two-and-a-half-hour block of time in which you can accomplish something.
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My Calvinism persuades me that we are open to God, in the sense that we are not delimited, not organisms with fixed attributes in the manner of the other creatures, but are instead participants in a reality that utterly exceeds our powers of description.
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I used to write on a big old couch, but I gave that away. I was wise enough to give it to my son, so if it turns out that the couch was essential to my work, at least the decision to be rid of it is not irreversible.
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I doubt that I could create a character I loathed simply because when a character takes life, it is impossible not to be a little amazed by the phenomenon, and to find that the amazement has something of the quality of delight.