Marian Keyes

Marian Keyes
Marian Keyesis an Irish novelist and non-fiction writer, best known for her work in women's literature. She is an Irish Book Awards winner. Over 22 million copies of her novels have been sold worldwide and her books have been translated into 32 languages. She became known worldwide for Watermelon, Lucy Sullivan is Getting Married, and This Charming Man, with themes including domestic violence and alcoholism...
NationalityIrish
ProfessionNovelist
Date of Birth10 September 1963
CountryIreland
Men can be men and still get excited about other men kicking a ball around and they're never mocked, whereas it's easy for women to take mocking on board, to be belittled. Because we're used to it.
I don't like this idea of division: that if you're a clever woman then you've got to be a particular way. Because men don't. Men please themselves.
The back windows looked out over the fields, then the Atlantic, maybe a hundred yards away. Actually, I'm just making that bit up. I had no idea how far away the sea was. Only men could do things like that. "Half a mile." "Fifty yards." Giving directions, that sort of thing. I could look at a woman and say "Thirty-six C." Or "Let's try it in the next size up." But I had no idea how far away Tim's sea was except that I wouldn't want to walk to it in high heels.
He seemed wild and dangerous and carefree--well, he would, would'nt he? What were motorcycles and black leather pants if not the uniform of a wild, dangerous and carefree man?
Not only was he not mad, but he was a musician, and my favorite men had always been musicians or writers or anything that involved the creative process and behaving like tortured artists. ... I found financial insecurity a great aphrodisiac.
Hen nights should be banned. You're honour-bound to behave atrociously, then feel terribly ashamed afterwards. (This Charming Man)
At 30 I thought my life was over. I thought I'd have made something of myself by then, that life would somehow have made the necessary arrangements - but actually I had nothing.
As I get older the stars have gone from my eyes more, and I see that life is just something that has to be lived with, that it's better not to struggle.
When I was growing up, I despised Irishness. I felt our music, our television and our books were just poor imitations of what came out of Britain and America. I was all set to abandon it entirely.
I think reviewers are sexist... This isn't to sound bitter, but I think you're more likely to get a critical kicking if you're a woman. I just think that's a fact. I really think less value is put in general on women's voices, across the board.
When you're a mass-market writer, people think that you can just decide 'this happens, this happens, this happens', whereas with literary writers it's coming from their soul and their core. But with me it does come from my soul and my core, and my soul and my core often go AWOL, and then I've nothing to write.
When I first met my husband, he had a very good job - company car, pension plan, grudging respect from his staff - the lot. I, on the other hand, was badly paid and devoid of ambition. Then I had a couple of books published and confounded all expectations by starting to earn more than he did.
Many nations use language simply to convey information, but it's different in Ireland. With most conversational exchanges you get an 'added extra' like the free little biscuit you sometimes get with a cappuccino in a fancy coffee place.
Bizarrely, I actually feel safer the older I get, like people will expect less from me, and I can become more and more invisible, yet more and more eccentric.