Margaret Atwood
Margaret Atwood
Margaret Eleanor Atwood, CC OOnt FRSCis a Canadian poet, novelist, literary critic, essayist, and environmental activist. She is a winner of the Arthur C. Clarke Award and Prince of Asturias Award for Literature, has been shortlisted for the Booker Prize five times, winning once, and has been a finalist for the Governor General's Award several times, winning twice. In 2001, she was inducted into Canada's Walk of Fame. She is also a founder of the Writers' Trust of Canada, a...
NationalityCanadian
ProfessionPoet
Date of Birth18 November 1939
CityOttawa, Canada
CountryCanada
Her glass wings are gone.
We have begun to slam doors, and to throw things. I throw my purse, an ashtray, a package of chocolate chips, which breaks on impact. We are picking up chocolate chips for days. Jon throws a glass of milk, the milk, not the glass: he knows his own strength, as I do not. He throws a box of Cheerios, unopened. The things I throw miss, although they are worse things. The things he throws hit, but are harmless. I begin to see how the line is crossed, between histrionics and murder.
The weapons that were once outside sharpening themselves on war are now indoors there, in the fortress, fragile in glass cases; Why is it (I'm thinking of the careful moulding round the stonework archways) that in this time, such elaborate defences keep things that are no longer (much) worth defending?
Happiness is a garden walled with glass: there's no way in or out.
Human understanding is fallible, and we see through a glass, darkly. Any religion is a shadow of God. But the shadows of God are not God.
When you are in the middle of a story it isn't a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It's only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.
You can wet the rim of a glass and run your finger around the rim and it will make a sound. This is what I feel like: this sound of glass. I feel like the word shatter. I want to be with someone.
They all disowned their parents long ago, the way you are supposed to
Put yourself in a different room, that's what the mind is for.
I've never bought into any sort of hard and fast, this-box/that-box characterization. People are individuals. Yes, they may be expected to be a particular way. But that doesn't mean they're going to be that way.
I think of this as a democratizing device.
When you're writing a novel, you don't want the reader to come out of it voting yes or no to some question. Life is more complicated than that. Reality simply consists of different points of view.
Reading and writing are connected. I learned to read very early so I could read the comics, which I then started to draw.
. . . time is compressed like the fist I close on my knee. . . . I hold inside it the clues and solutions and the power for what I must do now.