Margaret Atwood
Margaret Atwood
Margaret Eleanor Atwood, CC OOnt FRSCis a Canadian poet, novelist, literary critic, essayist, and environmental activist. She is a winner of the Arthur C. Clarke Award and Prince of Asturias Award for Literature, has been shortlisted for the Booker Prize five times, winning once, and has been a finalist for the Governor General's Award several times, winning twice. In 2001, she was inducted into Canada's Walk of Fame. She is also a founder of the Writers' Trust of Canada, a...
NationalityCanadian
ProfessionPoet
Date of Birth18 November 1939
CityOttawa, Canada
CountryCanada
He's very in depth, on the dark side. He's interested in structure and how things work. After reading his books you can't just be a tourist in those places, only seeing the sunny side.
I'll make you mine, lovers said in old books. They never said, I'll make you me.
Perhaps they were looking for passion; perhaps they delved into this book as into a mysterious parcel - a gift box at the bottom of which, hidden in layers of rustling tissue paper, lay something they'd always longed for but couldn't ever grasp.
We all know that a book is not really a person. It isn’t a human being. But if you are a lover of books as books – as objects, that is – and ignore the human element in them – that is, their voices – you will be committing an error of the soul, because you will be an idolator, or else a fetishist.
Publishers are in business to make money, and if your books do well they don't care if you are male, female, or an elephant.
Show me a character totally without anxieties and I will show you a boring book.
I have a big following among the biogeeks of this world. Nobody ever puts them in books.
If it's all instruction, you get annoyed with it and bored, and you stop reading. If it's all entertainment, you read it quite quickly, your heart going pitty-pat, pitty-pat. But when you finish, that's it. You're not going to think about it much afterward, apart from the odd nightmare. You're not going to read that book again.
If I pick up a book with vampires on the cover, I want there to be vampires. If I pick up a book with spaceships on the cover, I want spaceships. If I see one with dragons, I want there to be dragons inside the book. Proper labeling. Ethical labeling.
I know that some books and some writers, you can pretty much draw a square around it and say, 'Nobody under 40,' or 'Nobody under 25.' With my books, it always has been, and continues to be, spread right across the board, and I think the operative term is 'reader.'
If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.
I'm interested in the Gothic novel because it's very much a woman's form. Why is there such a wide readership for books that essentially say, 'Your husband is trying to kill you'?
Reading ... changes you. You aren't the same person after you've read a particular book as you were before, and you will read the next book, unless both are Harlequin Romances, in a slightly different way.
As I was whizzing around the United States on yet another demented book tour, getting up at four in the morning to catch planes, doing two cities a day, eating the Pringle food object out of the mini-bar at night as I crawled around on the hotel room floor, too tired even to phone room service, I thought, 'There must be a better way of doing this'.