Lynsey Addario
Lynsey Addario
Lynsey Addariois an American photojournalist. Her work often focuses on conflicts and human rights issues, especially the role of women in traditional societies...
NationalityAmerican
ProfessionPhotographer
Date of Birth13 November 1973
CountryUnited States of America
certain constantly issues sensitive tune type
I think, for me, personally, I try to be sensitive to issues as I learn about them. And I also try to constantly become not only a certain type of person but also become more in tune to the issues I'm covering. As I get older, I think that things just affect me more.
bloody constantly figure people trying
As a photographer who is constantly in violent, bloody situations where the instinct is to turn away, I am always trying to figure out how to make people not turn away.
constantly feature solely trying
For me personally, I'm constantly trying to really re-negotiate how I'm going to make a living because I can't make a living solely off editorial. And I'm also still trying to tell long feature stories that are harder and harder to get assigned, you know.
constantly hard life stories struggle struggling wife work
I'm constantly struggling. You know, the stories that I feel like I could cover, do the work that I want to do and being a mother. That's really where my struggle is - and being a wife and having a life - and for me it's really hard to find that balance. I'm always struggling to find that balance.
books great images learn minute rush seen sit
I've seen so many photographers rush to do books the minute they start shooting, but one great thing about photography is that the images don't go away, so the more I sit with these images, the more I learn which ones have had the most impact.
rarely
I've rarely seen portrayals of photojournalists that seem accurate.
across country implement islamic power raging rose rule stability strict taliban
The Taliban rose to power in 1996, vowing stability and an end to the violence raging across the country between warring mujahedeen factions, and to implement rule by Sharia law, or strict Islamic rule.
felt good photo work
I've always wanted to do a photo book, but I've never done one because I've never felt ready; I just didn't feel my work was good enough.
basically continue directly figure front iraq places rife south sudan war work
I wanted to continue doing my work, but I had to figure out how. And so what I have basically come up with is that I still go to Afghanistan and Iraq and South Sudan and many of these places that are rife with war, but I don't go directly to the front line.
suddenly
Sometimes when I am photographing a major news event, I am suddenly overwhelmed by helplessness.
access aspects entire intimate telling
To me, it's so much about doing your homework, going into a situation, getting to know the subject, making them feel comfortable, getting intimate access, getting access to all different aspects of people's lives, so that I am essentially telling an entire story and not just a single one.
believed convinced danger felt single stories traveling
I was undeterred by the danger of traveling as a single American woman through Taliban-governed land. I believed in the stories I wanted to tell, the stories I felt were underreported, and I was convinced that that belief would keep me alive.
felt holds people respect respected
When I first started out, I really felt like, 'I'm a journalist; I will be respected as a neutral observer.' And I don't feel like that holds true anymore. I don't think people respect journalists the same way they once did.
feeling good taking tortured wrong
For me, taking photographs is such a tortured process. I'm always feeling like I'm not getting enough: I'm in the wrong place, the light isn't good, the subject's not comfortable.