Lynda Barry
Lynda Barry
Lynda Jean Barry is an American cartoonist and author...
NationalityAmerican
ProfessionCartoonist
Date of Birth2 January 1956
CountryUnited States of America
actual happily pay price richness
When you think about it, giving up your 'real' personality is a small price to pay for the richness of 'living happily ever after' with an actual man!
address anyone class everybody except mention talk
In my writing class, we never, ever talk about the writing - ever. We never address a story that's been read. I also won't let anyone look at the person who's reading. No eye contact; everybody has to draw a spiral. And I would like to do a drawing class where we could talk about anything except for the drawing. No one could even mention it.
afterwards form front funny hard horrified nerves people taking
It's not hard for me to be funny in front of people, but most of that is just horrified nerves taking the form of what makes people laugh, and afterwards I'd always feel dreadfully depressed, kind of self-induced bi-polar disorder.
ending felt glad hardly kingdom knowing though trouble
The happy ending is hardly important, though we may be glad it's there. The real joy is knowing that if you felt the trouble in the story, your kingdom isn't dead.
beam god light loved overhead picture remember school teacher truth
Remember when you were in school and the teacher would put a picture under an overhead projector so you could see it on the wall? God, I loved that. Tellya the truth, I used to look at that beam of light and think it was God.
Sometimes I think I'm the craziest person on the planet.
gonna kids
Kids don't plan to play. They don't go: 'Barbie, Ken, you ready to play? It's gonna be a three-act.'
actions children good
'Good Times' is a story about the loss of innocence, how adults are responsible for their actions but children aren't.
death learn reason saying sidekick start stories
When you learn about stories in school, you get it backward. You start to think 'Oh, the reason these things are in stories is because a book said I need to put these things in there.' You need a death, as my husband says, and you need a little sidekick with a saying like 'Skivel-dee-doo!'
alone call kids names played playing stopped though writers
No one stopped me from playing when I was alone, but there were times when I wasn't able to, though I wanted to... There were times when nothing played back. Writers call it 'writer's block.' For kids there are other names for that feeling, though kids don't usually know them.
funny grim lose order readers strips work
My strips are not always funny, and they can be pretty grim at times, and I know I lose readers because of it, but I can't do anything about it - my work is very much connected to something I need to do in order to feel stable.
good question sit start work
When I work on a book, I usually start with a question. And I don't sit around and go 'I need to write a book. What's a good question?' It will be a question that's just clanging around in my head. So for 'What It Is,' it was this idea of 'What is an image?'
based exist mention stuff teaching
'What It Is' was based on this class I've been teaching for 10 years - I wanted to write a book about writing that didn't mention stuff like story structure, protagonists, and all those things that we know about only because they already exist in stories.
certainly comic continue lay talked
It's one thing to have a relationship, to lay your hands on it, and another to make it continue and last. That's something I haven't talked about much in my comic strips, and it's certainly something I'm interested in.