Louis MacNeice

Louis MacNeice
Frederick Louis MacNeice CBEwas an Irish poet and playwright. He was part of the generation of the Auden Group, also sometimes known as the "Thirties poets", that included W. H. Auden, Stephen Spender and Cecil Day-Lewis, nicknamed collectively "MacSpaunday" – a term coined by Roy Campbell, in his Talking Bronco. MacNeice's body of work was widely appreciated by the public during his lifetime, due in part to his relaxed, but socially and emotionally aware style. Never as overtlypolitical as some...
NationalityBritish
ProfessionPoet
Date of Birth12 September 1907
The rules or 'laws' of poetry are only tentative devices, an approximate scheme. There is no Sinaitic recipe for poetry, for the individual poem is the norm.
I would admit that poetry is something more than mere communication and that if that 'something more' could be abstracted from the whole, it might well prove to be that which makes the whole a poem.
I would have a poet able bodied, fond of talking, a reader of the newspapers, capable of pity and laughter, informed in economics, appreciative of women, involved in personal relationships, actively interested in politics, susceptible to physical impressions.
Good poets have written in order to describe something or to preach something - with their eye on the object or the end. The essence of the poetry does not lie in the thing described or in the message imparted but in the resulting concrete unity, the poem.
For this reason poets and artists developed the doctrine of Art for Art's Sake. The community did not appear to need them, so, tit for tat, they did not need the community. This being granted, it was no longer necessary or even desirable to make one's poetry either intelligible or sympathetic to the community.
Everyone is not able, or inclined, to write poetry in the narrower sense any more than everyone is qualified to take part in a walking race. But just as all of us can and do walk, so all of us can and do use language poetically.
A poet should always be 'collaborating' with his public, but this public, in the mass, cannot make itself heard, and he has to guess at its requirements and its criticisms.
The poet is primarily a spokesman, making statements or incantations on behalf of himself or others - usually for both, for it is difficult to speak for oneself without speaking for others or to speak for others without speaking for oneself.
The poet is a specialist in something which everyone practises. Herein, poetry differs from the other arts. Everyone does not practise music or painting or even dancing, but everyone without exception puts together words poetically every day of his life.
The poet has no greater number of muscles than the ordinary conversationalist; he merely has more highly developed muscles and better coordination. And he practises his activity according to a stricter set of rules.
Mysticism, in the narrow sense, implies a specific experience which is foreign to most poets and most men, but on the other hand, it represents an instinct which is a human sine qua non.
Crumbling between the fingers, under the feet, / Crumbling behind the eyes, / Their world gives way and dies / And something twangs and breaks at the end of the street.
The sunlight in the gardenHardens and grows cold,We cannot cage the minuteWithin its nets of gold
My birth was managed so rottenly that my mother had eventually to have a hysterectomy, after which she was ill off & on till she dies for obscure reasons when I was just 7.