Lorde
Lorde
Ella Marija Lani Yelich-O'Connor, better known by her stage name Lorde, is a New Zealand singer-songwriter. Born in Takapuna and raised in Devonport, Auckland, she became interested in performing as a child. In her early teens, she signed with Universal Music Group and was later paired with the songwriter and record producer Joel Little, who has co-written and produced most of Lorde's works. Her first major release, The Love Club EP, was commercially released in March 2013. The EP reached...
NationalityNew Zealander
ProfessionPop Singer
Date of Birth7 November 1996
CityAuckland, New Zealand
Taylor Swift is so flawless, and so unattainable, and I don't think it's breeding anything good in young girls.
With pop music and pop musicians, you know everything about everyone all the time, particularly their physical appearance. With female musicians, that's made a big thing of, and I think people, certainly with me, have appreciated a bit of mystery.
Around the middle of last year I started listening to a lot of rap, like Nicki Minaj and Drake. They all sing about such opulence, stuff that just didn't relate to me-or anyone that I knew. I began thinking, 'How are we listening to this? It's completely irrelevant'.
I think I'm speaking for a bunch of girls when I say that the idea that feminism is completely natural and shouldn't even be something that people find mildly surprising. It's just a part of being a girl in 2013.
The way I dress and carry myself, a lot of people find it intimidating. I think my whole career can be boiled down to the one word I always say in meetings: strength.
I know when I'm onstage, I don't think about how it looks, I just concentrate on really feeling what I hear. But I totally know I look like Gollum when I perform, so it's cool.
In other words, I would be giving in to a myth of sameness which I think can destroy us.
Institutionalized rejection of differences is an absolute necessity in a profit economy which needs outsiders as surplus people. As members of such an economy, we have all been programmed to respond to the human differences between us with fear and loathing and to handle that difference in one of three ways: ignore it, and if that is not possible, copy it if we think it is dominant, or destroy it if we think it is subordinate.
The white fathers told us: I think, therefore I am. The black goddess within each of us - the poet - whispers in our dreams: I feel, therefore I can be free.
We tend to think of the erotic as an easy, tantalizing sexual arousal. I speak of the erotic as the deepest life force, a force which moves us toward living in a fundamental way.
I started writing music when I was around twelve. My current record company saw a video of me performing at my school's talent show.
People respond to something which intrigues them instead of something that gives them all the information - particularly in pop, which is, like, the genre for knowing way too much about everyone and everything.
I've always hung out with people older than me, with my parents' friends, because I appreciated the conversation.
I've always been fascinated with aristocracy. I'm really interested in the Ivy Leagues, the final clubs, all the really old-money families, the concept of old money.