Lorde
Lorde
Ella Marija Lani Yelich-O'Connor, better known by her stage name Lorde, is a New Zealand singer-songwriter. Born in Takapuna and raised in Devonport, Auckland, she became interested in performing as a child. In her early teens, she signed with Universal Music Group and was later paired with the songwriter and record producer Joel Little, who has co-written and produced most of Lorde's works. Her first major release, The Love Club EP, was commercially released in March 2013. The EP reached...
NationalityNew Zealander
ProfessionPop Singer
Date of Birth7 November 1996
CityAuckland, New Zealand
What I do is so important to me. It’s like being a parent, in some ways, of a super-demanding , high-achieving child, with a cry that sounds really cool on the radio.
The difference between poetry and rhetoric is being ready to kill yourself instead of your children.
I learned to read from Mrs. Augusta Baker, the children's librarian. ... If that was the only good deed that lady ever did in her life, may she rest in peace. Because that deed saved my life, if not sooner, then later, when sometimes the only thing I had to hold on to was knowing I could read.
If white American feminist theory need not deal with the differences between us, and the resulting difference in our oppressions, then how do you deal with the fact that the women who clean your houses and tend your children while you attend conferences on feminist theory are, for the most part, poor women and women of Color? What is the theory behind racist feminism?
You loved people and you came to depend on their being there. but people died or changed or went away and it hurt too much. The only way to avoid that poin was not to love anyone, and not to let anyone get too close or too important. The secret of not being hurt like this again, I decided, was never depending on anyone, never needing, never loving.It is the last dream of children, to be forever untouched.
Raising Black children-female and male-in the mouth of a racist, sexist, suicidal dragon is perilous and chancy. If they cannot love and resist at the same time, they will probably not survive.
From my membership in all of these groups I have learned that oppression and the intolerance of difference come in all shapes and sizes and colors and sexualities; and that among those of us who share the goals of liberation and a workable future for our children, there can be no hierarchies of oppression.
Some problems we share as women, some we do not. You [white women] fear your children will grow up to join the patriarchy and testify against you; we fear our children will be dragged from a car and shot down in the street, and you will turn your backs on the reasons they are dying.
I started writing music when I was around twelve. My current record company saw a video of me performing at my school's talent show.
People respond to something which intrigues them instead of something that gives them all the information - particularly in pop, which is, like, the genre for knowing way too much about everyone and everything.
I've always hung out with people older than me, with my parents' friends, because I appreciated the conversation.
I've always been fascinated with aristocracy. I'm really interested in the Ivy Leagues, the final clubs, all the really old-money families, the concept of old money.
Coming from New Zealand, all the music I listen to is not made by New Zealanders. People never come to New Zealand to play a show because it's in the middle of nowhere.
I tend to start with a full set of lyrics, and then my producer, Joel Little, and I work on the music collaboratively.