Lois Lowry
Lois Lowry
Lois Lowryis an American writer credited with more than thirty children's books. She has won two Newbery Medals, for Number the Stars in 1990 and The Giver in 1994. For her contribution as a children's writer, she was a finalist in 2000for the biennial, international Hans Christian Andersen Award, the highest recognition available to creators of children's books. Her book Gooney Bird Greene won the 2002 Rhode Island Children's Book Award. In 2007 she received the Margaret Edwards Award from...
NationalityAmerican
ProfessionChildren's Author
Date of Birth20 March 1937
CityHonolulu, HI
CountryUnited States of America
Always in the dream, it seemed as if there were a destination: a something--he could not grasp what-that lay beyond the place where the thickness of snow brought the sled to a stop. He was left, upon awakening, with the feeling that he wanted, even somehow needed, to reach the something that waited in the distance. The feeling that it was good. That it was welcoming. That it was significant. But he did not know how to get there.
Things seem more when you’re little. They seem bigger, and distances seem farther.
For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps, it was only an echo.
Pretending that there are no choices to be made - reading only books, for example, which are cheery and safe and nice - is a prescription for disaster for the young.
Because I have two houses, I invariably get immersed in a book and then discover it's at the other house.
I was fortunate to live for 3 years in another country, and although we lived in an American compound, still as a young adolescent I did venture into the world of the Japanese with great interest and enjoyment. But many Americans never left that safe and familiar life among their own people.
Many of the books I loved as a kid, that even my mother read as a child, are very slow going. Today's children are not as patient. The best example of this is 'The Secret Garden,' which I adored as a child.
Most people remember being 4 objectively, as if they're seeing a movie of a 4-year-old. But me, if you ask me to think about when I'm 4, I can feel myself being 4, and I am there, looking out through my 4-year-old eyes.
One hopes that with a book or movie, the reader or the audience will emerge from it thinking. That's the most you can hope for: that you've raised questions that will be there for the audience to think about later.
When you lose a child in an accident as I did, it's final - you're not caught in this longing for him, to search for him, knowing he's out there some place.
I make up the characters in my books, but of course my consciousness is filled with every child I've ever known, including my two grandchildren, my own kids (I had four) and especially myself as a child, because that person still lives inside me, too.
It's interesting that so many books now are published as the first in a series. It never occurred to me. Although 'The Giver' does have an ambiguous ending. I've heard about that from readers over the years.
When I moved from Cambridge, I donated all my fiction. I carefully cut out pages the authors had autographed for me. I didn't want those autographed books showing up on eBay.
I never, as a reader, have been particularly interested in dystopian literature or science fiction or, in fact, fantasy.