Lev Grossman
Lev Grossman
Lev Grossman is an American novelist and journalist, notably the author of the novels Warp, Codex, The Magicians, The Magician King, and The Magician's Land. He is a senior writer and book critic for TIME...
NationalityAmerican
ProfessionNovelist
Date of Birth26 June 1969
CountryUnited States of America
country writing practice
One already feels like an anachronism, writing novels in the age of what-ever-this-is-the-age-of, but touring to promote them feels doubly anachronistic. The marketplace is showing an increasing intolerance for the time-honored practice of printing information on paper and shipping it around the country.
writing important tables
It's very important, at least to me as a writer, that there be some rules on the table when I'm writing. Rules come from genres. You're writing in a genre, there are rules, which is great because then you can break the rules. That's when really exciting things happen.
writing able ifs
Read everything. If you haven't read everything, you'll never be able to write anything.
writing optimistic fiction
More than fantasy or even science fiction, Ray Bradbury wrote horror, and like so many great horror writers he was himself utterly without fear, of anything. He wasn't afraid of looking uncool - he wasn't scared to openly love innocence, or to be optimistic, or to write sentimentally when he felt that way.
writing special firsts
There's a special gut-check moment the first time you write a scene in which somebody casts a spell.
coffee writing games
I used to write in a local coffee shop, but there was another guy, another writer, who kept sitting in my favorite seat. I would show up, and he would be there, and I would get exiled to a couch or something, and it would throw me off my game.
crazy writing psychics
Nothing is wrong with you. You're not different. Everybody feels as bad as you do: this is just what writing a novel feels like. To write a novel is to come in contact with raw, primal feelings, hopes and longings and psychic wounds, and try to make a big public word-sculpture out of them, and that is a crazy hard thing to do.
writing magician sequels
I never thought about doing a sequel when I was actually writing 'The Magicians.' I only ever considered it a standalone.
writing advice writing-advice
Don't take anyone's writing advice too seriously.
writing media scratches
Fanfiction is what literature might look like if it were reinvented from scratch after a nuclear apocalypse by a band of brilliant pop-culture junkies trapped in a sealed bunker. They don't do it for money. That's not what it's about. The writers write it and put it up online just for the satisfaction. They're fans, but they're not silent, couchbound consumers of media. The culture talks to them, and they talk back to the culture in its own language.
good particular
What surprised me about 'The Casual Vacancy' was not just how good it was, but the particular way in which it was good.
burning drowned plenty relatively
I've read plenty of J.G. Ballard, but I'm not really a Ballardian. I've met Ballardians, and I know when I can't compete. I like Ballard in his relatively unchallenging apocalyptic mode: 'Vermilion Sands,' 'The Drowned World,' 'The Burning World,' 'The Crystal World.'
bubble claimed fact inside key languages learn life literally several speak spent though trapped trying
Even though I have spent literally years of my life trying to learn another language, any other language - and even though I have in the past claimed in several key professional contexts that I speak other languages - I am in fact still trapped inside the bubble of English.
current figure guess healthier literary publishers retailers run
Which is the healthier kind of literary diversity: an un-gate-kept self-published book world, run substantially through Amazon? Or our current book world, which is part-gate-kept, part-not, with many different publishers and retailers and platforms? I'm not smart enough to figure it out, but if I had to guess I'd guess the latter.