Lev Grossman
Lev Grossman
Lev Grossman is an American novelist and journalist, notably the author of the novels Warp, Codex, The Magicians, The Magician King, and The Magician's Land. He is a senior writer and book critic for TIME...
NationalityAmerican
ProfessionNovelist
Date of Birth26 June 1969
CountryUnited States of America
real doors waiting
Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there's nothing else.
real hero sidekicks
The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
real world horrible
The real world is horrible.
stars real ideas
The idea of some kind of objectively constant, universal literary value is seductive. It feels real. It feels like a stone cold fact that In Search of Lost Time, by Marcel Proust, is better than A Shore Thing, by Snooki. And it may be; Snooki definitely has more one-star reviews on Amazon. But if literary value is real, no one seems to be able to locate it or define it very well. We're increasingly adrift in a grey void of aesthetic relativism.
real technology feelings
Maybe there's a sense that technology isn't necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world - a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
meaningful real interesting
We're wired to expect the world to be brighter and more meaningful and more obviously interesting than it actually is. And when we realize that it isn't, we start looking around for the real world.
inspirational real character
For just one second, look at your life and see how perfect it is. Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there's nothing else. It's here, and you'd better decide to enjoy it or you're going to be miserable wherever you go, for the rest of your life, forever.
good particular
What surprised me about 'The Casual Vacancy' was not just how good it was, but the particular way in which it was good.
burning drowned plenty relatively
I've read plenty of J.G. Ballard, but I'm not really a Ballardian. I've met Ballardians, and I know when I can't compete. I like Ballard in his relatively unchallenging apocalyptic mode: 'Vermilion Sands,' 'The Drowned World,' 'The Burning World,' 'The Crystal World.'
bubble claimed fact inside key languages learn life literally several speak spent though trapped trying
Even though I have spent literally years of my life trying to learn another language, any other language - and even though I have in the past claimed in several key professional contexts that I speak other languages - I am in fact still trapped inside the bubble of English.
current figure guess healthier literary publishers retailers run
Which is the healthier kind of literary diversity: an un-gate-kept self-published book world, run substantially through Amazon? Or our current book world, which is part-gate-kept, part-not, with many different publishers and retailers and platforms? I'm not smart enough to figure it out, but if I had to guess I'd guess the latter.
ahead author except fact hating human tempting unlike
Hating a book is not unlike hating a person; in fact it's tempting to just go ahead and hate the author personally, by proxy, qua human being, except that I know that would be a mistake.
hours known spent work
I have spent many, many hours reading J.K. Rowling's work. I am a known 'Harry Potter' fan.
both casual crashing distorting high low open possible pretending
It's not really possible to open 'The Casual Vacancy' without a lot of expectations both high and low crashing around in your brain and distorting your vision. There's no point pretending they're not there.