Lauren Oliver
Lauren Oliver
Lauren Oliveris an American author of the New York Times bestselling YA novels Before I Fall, which was published in 2010; Panic; and the Delirium trilogy: Delirium, Pandemonium and Requiem, which have been translated into more than thirty languages. She is a 2012 E.B. White Read-Aloud Award nominee for her middle-grade novel Liesl & Po, as well as author of the fantasy middle-grade novel The Spindlers. Panic, which was published in March 2014, has been optioned by Universal Pictures in...
NationalityAmerican
ProfessionYoung Adult Author
Date of Birth8 November 1982
CityQueens, NY
CountryUnited States of America
I thought the Invalids were beasts; I thought they would rip me apart. But these people saved me, and gave me the softest place to sleep, and nursed me back to health, and haven't asked for anything in return. The animals are on the other side of the fence: monsters wearing uniforms. They speak softly, and tell lies, and smile as they're slitting your throat.
Everyone is asleep. They've all been asleep for years. You seemed ... awake.' Alex is whispering now. He closes his eyes, opens them again.'I'm tired of sleeping.
Are you ever afraid to go to sleep? Afraid of what comes next?” He smiles a sad little smile and I swear it’s like he knows. “Sometimes I’m afraid of what I’m leaving behind,” he says.
I think of the quietness of Julian's voice as he said I love you, the steadiness of his rib cage rising and falling against my back, as we sleep.I love you, Julian. But the words don't come.
Less than a month ago all of August still stretched before us - long and golden and reassuring, like an endless period of delicious sleep.
There were days I asked for it-prayed for it when I went to sleep. The belief that I would see you again, that I could find you-the hope for it-was the only thing that kept me going.
In one of the tents, Julian is sleeping. And in another: Alex
Sometimes I'm afraid to go to sleep because of what I'm leaving behind.
When you love someone, when you care for someone, you have to do it through the good and the bad. Not just when you're happy and it's easy.
That was what her parents did not understand—and had never understood—about stories. Liza told herself storied as though she was weaving and knotting an endless rope. Then, no matter how dark or terrible the pit she found herself in, she could pull herself out, inch by inch and hand over hand, on the long rope of stories.
One of the things I've tried to do in my career is really write different kinds of books, so I'm able to broaden people's expectations of what I'm allowed to do.
I try to write characters that are as real, emotionally and psychologically, as I can make them; I feel the same way about setting. This often means that I'm drawing from my experiences and observations.
I think all artists are only interested in a couple of themes, really. I'm primarily interested in change and connection as being this restorative force. I write about them because that's what I think about in my own life.
I have a beautiful pair of Giuseppe Zanotti black pumps that make me feel like a model every time I put them on. I have a pair of Jimmy Choo flats I would marry, if I could.