Lauren Oliver

Lauren Oliver
Lauren Oliveris an American author of the New York Times bestselling YA novels Before I Fall, which was published in 2010; Panic; and the Delirium trilogy: Delirium, Pandemonium and Requiem, which have been translated into more than thirty languages. She is a 2012 E.B. White Read-Aloud Award nominee for her middle-grade novel Liesl & Po, as well as author of the fantasy middle-grade novel The Spindlers. Panic, which was published in March 2014, has been optioned by Universal Pictures in...
NationalityAmerican
ProfessionYoung Adult Author
Date of Birth8 November 1982
CityQueens, NY
CountryUnited States of America
amazingly, i'd actually forgotten that i'm supposed to be plain. i'm so used to alex telling me i'm beautiful. i'm so used to feeling beautiful around him. a hollow opens up in my chest. this is what life will be like without him: everything will become ordinary again. i'll become ordinary again.
An itchy feeling began to work its way through my body, as though a thousand mosquitoes were circulating through my blood, biting me from the inside, making me want to scream, jump, squirm. I ran.
If singing were a feeling it would be this, this light, this lifting, like laughing...
I don't know whether these feelings - this thing growing inside of me - is something horrible and sick or the best thing that's ever happened to me. Either way, I can't stop it. I've lost control. And the truly sick thing is that despite everything, I'm glad.
My stomach gets that hollowed-out feeling. It's amazing how words can do that, just shred your insides apart.
I'm used to a feeling of doubleness, of thinking one thing and having to do another, a constant tug-of-war.
I can admit, now, that I must have loved Lena. Not in an Unnatural way, but my feelings for her must have been a kind of sickness. How can someone have the power to shatter you to dust--and also to make you feel so whole?
I'm not scared, if that's what you're wondering. The moment of death is full of sound and warmth and light shooting away, arcing up and up and up, and if singing were a feeling it would be this, this light, this lifting, like laughing... The rest you have to find out for yourself.
The kidnapping, the kiss. I brought him here, after all. I rescue him an pulled him into this new life, a life of freedom and feeling.
The thing is, you don't get to know. It's not like you wake up with a bad feeling in your stomach. You don't see shadows where there shouldn't be any. You don't remember to tell your parents you love them or--in my case--remember to say good-bye to them at all.
And it's the funniest thing: as soon as I see it, the whistling in my ears stops and the feeling of terror drains away, and I realize this whole time I haven't been falling at all. I've been floating.
When you love someone, when you care for someone, you have to do it through the good and the bad. Not just when you're happy and it's easy.
That was what her parents did not understand—and had never understood—about stories. Liza told herself storied as though she was weaving and knotting an endless rope. Then, no matter how dark or terrible the pit she found herself in, she could pull herself out, inch by inch and hand over hand, on the long rope of stories.
One of the things I've tried to do in my career is really write different kinds of books, so I'm able to broaden people's expectations of what I'm allowed to do.