Laura Hillenbrand

Laura Hillenbrand
Laura Hillenbrandis an American author of books and magazine articles. Her two best-selling nonfiction books, Seabiscuit: An American Legend and Unbroken: A World War II Story of Survival, Resilience, and Redemption have sold over 10 million copies, and each was adapted for film. Her writing style is considered to differ from the New Journalism style, dropping verbal pyrotechnics in favor of a stronger focus on the story itself...
NationalityAmerican
ProfessionNon-Fiction Author
Date of Birth15 May 1967
CountryUnited States of America
Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went
Books on horse racing subjects have never done well, and I am told that publishers had come to think of them as the literary version of box office poison
Finally, I wish to remember the millions of Allied servicemen and prisoners of war who lived the story of the Second World War. Many of these men never came home; many others returned bearing emotional and physical scars that would stay with them for the rest of their lives. I come away from this book with the deepest appreciation for what these men endured, and what they scarified, for the good of humanity. It is to them that this book {Unbroken} is dedicated,
I was 8 years old when I went across the street from my house to a fair, and they always had a used book sale. For a quarter I bought a book called 'Come On Seabiscuit.' I loved that book. It stayed with me all those years
Every day after lunch when I was writing my first book, I'd nibble a square of fine chocolate and meditate on all that had gone into its creation: the sun and rain that spilled on the cocoa plant, the soil that nourished it, the hands that picked the beans, and so on. My taste of chocolate became a lesson on the interconnectedness of things, and the infinite blessings for which I am grateful.
People think I must have been turning cartwheels on the night I sealed the movie deal - which was only two days after sealing the book deal - but I was really quite terrified.
He had no money and no home; he lived entirely on the road of the racing circuit, sleeping in empty stalls, carrying with him only a saddle, his rosary, and his books....The books were the closest thing he had to furniture, and he lived in them the way other men live in easy chairs.
His books were the closest thing he had to furniture and he lived in them the way other men live in easy chairs.
I spent one frenzied day interviewing producers, and ended up choosing Universal and Larger Than Life productions. It all happened in two days.
I was starstruck and completely confused; making a film of this story hadn't even occurred to me, and I hadn't written a single line of the book yet. I had no idea how this man knew anything about my book proposal.
Louie and Seabiscuit were both Californians and both on the sports pages in the 1930s. I was fascinated. When I learned about his World War II experiences, I thought, 'If this guy is still alive, I want to meet him.'
It only worked for a little while; the morning after I agreed to go with Universal, an article came out in the Hollywood trade papers, and the secret was out.
It was so demoralizing to lose my body and begin to realize that my whole future may be set on its ear. The thing that helped me was, instead of spending my life thinking about how I can get over (CFS), now I spend my life thinking about how to get around it, and how to succeed in spite of it.
The following Wednesday, I opted to go with Random House.